Sogdians, a group of Central Asians based between the Amu Darya and the Syr Darya, played a significant historical role at the crossroads of the Silk Roads. Travelling the world as caravan leaders, organised in trading networks, they were found from Byzantium to the Chinese heartland. The Sogdian language was a candidate for the lingua franca of the Silk Roads for some hundred years and Sogdians acted as polyglot mediators at courts and prominent translators of Buddhist texts. In the Chinese capitals, fire temples were erected for their use and the exotic products they imported were cherished by the people and the court. This socio-historical study by Moritz Huber provides a translation of the transmitted Chinese records on Sogdians in Sogdiana and China and combines them with archaeological evidence to present a differentiated picture of their presence in China from the 3rd to 10th century CE. Besides the transcription and translation of all epitaphs of Sogdians from an archaeological context, used to tell their interconnected biographies, as well as a detailed discussion of their political organisation in China under the sabao 薩保/薩寶, this publication further includes a case-study of the Shi 史 families in Guyuan 固原, Ningxia 寧夏 Province.
In Transcending Patterns: Silk Road Cultural and Artistic Interactions through Central Asian Textiles, Mariachiara Gasparini investigates the origin and effects of a textile-mediated visual culture that developed at the heart of the Silk Road between the seventh and fourteenth centuries. Through the analysis of the Turfan Textile Collection in the Museum of Asian Art in Berlin and more than a thousand textiles held in collections worldwide, Gasparini discloses and reconstructs the rich cultural entanglements along the Silk Road, between the coming of Islam and the rise of the Mongol Empire, from the Tarim to Mediterranean Basin. Exploring in detail the iconographic transfer between different agents and different media from Central Asian caves to South Italian churches, the author depicts and describes the movement and exchange of portable objects such as sculpture, wall painting, and silk fragments across the Asian continent and across the ages.
Mariachiara Garsparini received a PhD in transcultural studies and global art history from Heidelberg University, Germany. Her research focuses on Central Asian material culture, wall painting, artist’s praxis, and Sino-Iranian and Turko-Mongol interactions. She has conducted extensive fieldwork in Asia. Since 2015 she has been teaching Asian art in the San Francisco Bay Area.
Afghanistan is at the cultural crossroads of Asia, where the great civilisations of Mesopotamia and Iran, South Asia and Central Asia overlapped and sometimes conflicted. Its landscape embraces environments from the high mountains of the Hindu Kush to the Oxus basin and the great deserts of Sistan; trade routes from China to the Mediterranean, and from Central Asia to the Arabian Sea cross the country. It has seen the development of early agriculture, the spread of Bronze Age civilisation of Central Asia, the conquests of the Persians and of Alexander of Macedon, the spread of Buddhism and then Islam, and the empires of the Kushans, Ghaznavids, Ghurids and Timurids centred there, with ramifications across southern Asia. All of which has resulted in some of the most important, diverse and spectacular historical remains in Asia.
First published in 1978, this was the first book in English to provide a complete survey of the immensely rich archaeological remains of Afghanistan. The contributors, all acknowledged scholars in their field, have worked in the country, on projects ranging from prehistoric surveys to the study of Islamic architecture. It has now been thoroughly revised and brought up to date to incorporate the latest discoveries and research.
Brilliant horsemen and great fighters, the Scythians were nomadic horsemen who ranged wide across the grasslands of the Asian steppe from the Altai mountains in the east to the Great Hungarian Plain in the first millennium BC. Their steppe homeland bordered on a number of sedentary states to the south – the Chinese, the Persians and the Greeks – and there were, inevitably, numerous interactions between the nomads and their neighbours. The Scythians fought the Persians on a number of occasions, in one battle killing their king and on another occasion driving the invading army of Darius the Great from the steppe. Relations with the Greeks around the shores of the Black Sea were rather different – both communities benefiting from trading with each other. This led to the development of a brilliant art style, often depicting scenes from Scythian mythology and everyday life. It is from the writings of Greeks like the historian Herodotus that we learn of Scythian life: their beliefs, their burial practices, their love of fighting, and their ambivalent attitudes to gender. It is a world that is also brilliantly illuminated by the rich material culture recovered from Scythian burials, from the graves of kings on the Pontic steppe, with their elaborate gold work and vividly coloured fabrics, to the frozen tombs of the Altai mountains, where all the organic material – wooden carvings, carpets, saddles and even tattooed human bodies – is amazingly well preserved.
This second volume of the series offers a broad range of subject matter from an equally broad range of regions. Michael Shenkar compares a particular type of deity from the Parthian West (Palmyra, Hatra) with the colossal image of a divinity from Akchakhan-kala in ancient Choresmia (part of modern-day Uzbekistan). Careful iconographic analysis of a sealing showing the god Mithra, found at Kafir Qala near Samarkand, allows Fabrizio Sinisi to suggest a Kushan origin for the seal that made the impression. Several contributions on Sogdiana concern its archaeology and early history (Bi Bo on Kangju and Sogdiana); the iconography of one of the major wall painting cycles at Panjikent (Matteo Compareti) as well as the city’s temples and deities worshipped (Markus Mode). By drawing on archaeological, ethnological and historical data, Sören Stark offers an extensive discussion of mountain pastoralism and seasonal occupation in northern Tajikistan, north of the Zerafshan River in what were borderlands for Sogdiana. Rounding out the first part of this volume is Suzanne G. Valentine’s publication of a Bactrian camel clay sculpture, excavated in the Sui-Tang capital of Xi’an, its saddlebags decorated with an unusual motif. The second and last part is guest-edited by John Clarke, convener of a Buddhist conference in 2010. This section contains updated or new papers by some of the participants—Naman P. Ahuja on Buddhist imagery in Bengal; Amy Heller on the impact of Kashmiri art on Guge and Ladakh; Deborah Klimburg-Salter on Buddhist pilgrimage sites in Afghanistan; and Michael Willis on sculpture from Sarnath in the British Museum—along with that of Chiara Bellini on the restoration of the Alchi Sumtsek and the dating of the Ladakhi temple.
Table of Contents On Central Asian Art and Archaeology · Michael SHENKAR – “The Chorasmian Gad: On the “Colossal” Figure from Akchakhan-kala” · Fabrizio SINISI – “A Kushan Investiture Scene with Mithra on a Seal Impression from Kafir Qala, Samarkand” · BI Bo – “Recent Archaeological Discoveries Regarding Kangju and Sogdiana” · Matteo COMPARETI – “Simurgh or Farr? On the Representation of Fantastic Creatures in the Sogdian ‘Rustam Cycle’ at Panjikent” · Markus MODE – “In the Heart of the City: On Sogdian Temples and Deities at Panjikent”
On Buddhist Sculpture: Papers from a Symposium held at the Victoria and Albert Museum, London, November 8 and 9, 2010, and Papers Inspired by the Symposium · John CLARKE (Guest Editor) – “Introduction” · Naman P. AHUJA – “Rethinking the History of Buddhist Imagery in Bengal, circa 200 BCE – 700 CE” · Michael WILLIS – “Markham Kittoe and Sculpture from Sarnath in the British Museum” · Deborah KLIMBURG-SALTER – “Buddhist Pilgrimage to India: Bamiyan, Kapisa · -Kabul, and Mes Aynak” · Amy HELLER – “Tracing the Impact of Kashmiri Art in Guge and Ladakh, Eleventh to Thirteenth Centuries” · Chiara BELLINI – “Some Other Pieces of the Puzzle: The Restoration of the Alchi Sumtsek by Tashi Namgyal and Other Considerations on the Dating of the Ladakhi Temple”
On Far Eastern Art and Archaeology · Bonnie CHENG – “The Underground Silk Road – Pictorial Affinities in Fifth-century Cave Temples and Tombs” · Heather D. CLYDESDALE – “Buried Towers: Artistic Innovation on China’s Frontier” · Suzanne G. VALENSTEIN with Annette L. JULIANO and Judith A. LERNER – “Hellenism in Sui-Tang Chang’an: Dionysiac Imagery on Mortuary Camels” Young-pil KWON – “Note on Border Patterns Dividing the Earthly and Heavenly Realms in Goguryeo Tomb Paintings”
Transoxania, Khurasan, and ?ukharistan – which comprise large parts of today’s Central Asia – have long been an important frontier zone. In the late antique and early medieval periods, the region was both an eastern political boundary for Persian and Islamic empires and a cultural borderseparating communities of sedentary farmers from pastoral-nomads.
Given its peripheral location, the history of the ‘eastern frontier’ in this period has often been shown through the lens of expanding empires. However, in this book, Robert Haug argues for a pre-modern Central Asia with a discrete identity, a region that is not just a transitory space or the far-flung corner of empires, but its own historical entity. From this locally specific perspective, the book takes the reader on a 900-year tour of the area, from Sasanian control, through the Umayyads and Abbasids, to the quasi-independent dynasties of the Tahirids and the Samanids. Drawing on an impressive array of literary, numismatic and archaeological sources, Haug reveals the unique and varied challenges the eastern frontier presented to imperial powers that strove to integrate the area into their greater systems. This is essential reading for all scholars working on early Islamic, Iranian and Central Asian history, as well as those with an interest in the dynamics of frontier regions.
The Persianate World: Rethinking a Shared Sphere is among the first books to explore the pre-modern and early modern historical ties among such diverse regions as Anatolia, the Iranian plateau, Central Asia, Western Xinjiang, the Indian subcontinent, and southeast Asia, as well as the circumstances that reoriented these regions and helped break up the Persianate ecumene in modern times. Essays explore the modalities of Persianate culture, the defining features of the Persianate cosmopolis, religious practice and networks, the diffusion of literature across space, subaltern social groups, and the impact of technological advances on language. Taken together, the essays reflect the current scholarship in Persianate studies, and offer pathways for future research.
The volume gives a comprehensive insight into the Iron Age in southern Central Asia, whose beginning and end are marked by two major cultural changes: the end of Bronze Age urban societies with their large burial grounds and the conquest of Central Asia by Alexander the Great. Central to this is the incorporation of this region into the Achaemenid-Persian empire. Profound social changes in settlement, technology, and spiritual life can be linked to the emergence of the Avesta and the Zoroastrian religion, which became the official religion of the Persian Empire. A new look at texts and archaeological research demonstrates the complete incorporation of Bactria and Sogdia into the Achaemenid Empire during the 6th century BC.
Edition of Sogdian epistolary fragments discovered in Turfan as well as a wide-ranging comparative analysis of Sogdian epistolary formulae.
An important part of the Sogdian corpora which have come down to us are epistolary texts: both the earliest substantial Sogdian documents (the ‘Ancient Letters’) and the only substantial textual corpus found in Sogdiana itself (the Mugh documents). The Turfan collections of (especially) Berlin, Kyoto, and St. Petersburg, also preserve a number of letter fragments. Altogether, these texts attest different phases of a Sogdian epistographical tradition stretching over some seven centuries. The edition and analysis of both well-preserved and fragmentary texts can contribute to efforts to reconstruct parts of those traditions—and eventually connect them with those of Central Asia and Iran more broadly. The first part of this work is an effort to present a comprehensive edition of the Sogdian epistolary fragments in the Turfan collections of Berlin, Kyoto, and St. Petersburg. In the second part a comparative study of Sogdian epistolography is undertaken, based on the editions made in the first part, together with previously published work on other Sogdian epistolary corpora, including studies of layout, external addresses, and stamps. Additionally, an appendix by Simone-Christiane Raschmann contributes to the larger study of epistolary culture in Turfan with the edition and study of three Old Turkic fragments (two letters and one order) which shed light on the use of stamps.