Antonetti, Claudia, Bryan De Notariis & Marco Enrico (eds.). 2024. Wine cultures: Gandhāra and beyond (Antichistica 40). Venezia: Venice University Press.
The volume Wine Cultures. Gandhāra and Beyond represents the primary outcome of the MALIWI project (SPIN Ca’ Foscari 2021) directed by Claudia Antonetti. Adopting an interdisciplinary approach, this work seeks to explore the production techniques, social functions, and cultural significance of intoxicating drinks with particular reference to wine – an extraordinary beverage that has been intertwined with human history for millennia. This volume gathers contributions by scholars interested in studying wine and drinking culture in Gandhāra and neighbouring regions, including Ancient Assyria, Arachosia, and present-day India. The topic is explored from three fundamental perspectives, employing a diverse range of sources, including literary and historical texts, as well as linguistic, iconographic, archaeological, and anthropological evidence.
The second volume compiles papers presented in three enlightening sessions: Session 3 – Visual and Textual Forms of Communication; Session 7 – The Future of the Past. Archaeologists and Historians in Cultural Heritage Studies; and Session 8 – Produce, Consume, Repeat. History and Archaeology of Ancient Near Eastern Economies. Within this volume, the 20 papers traverse diverse topics spanning multiple periods, from the 5th millennium BCE to the Roman Empire, and encompass a wide array of geographical regions within the Near East.
Among other interesting contributions, the following papers deal with aspects of ancient Iranian history and culture:
Delphine Poinsot: Sexuation of animals’ bodies in the bullae from Qasr-I Abu Nasr
Olivia Ramble: Generations of Writing: The Secondary Inscriptions of Darius’ tacara at Persepolis
Takehiro Miki: Deciphering the Skills of the Prehistoric Painting Technique: Case Study of the Painted Pottery of the 5th Millennium BCE from Tall-e Bakun A (Fars province, Iran)
Yazdan Safaee: Persian Female Weavers in the Persepolis Economy
How do we reconstruct ancient societies’ cultural and visual identities? Prudence Oliver Harper has dedicated her scholarly and curatorial career to piecing together the material culture of communities across ancient Western Asia, Iran, and Central Asia. A number of her colleagues – art historians, archaeologists, philologists, and conservators – have contributed essays to this volume to reflect Harper’s range of contributions throughout her six-decade career. Many of the essays focus on ancient metalwork, Harper’s major expertise, while others on glyptics, ivory, or glass, three of her other interests. The essays aim to make sense of this region’s diverse cultural identities, many of which are the results of cross-cultural exchange. Some authors have employed iconographical or socio-historical approaches; others have complementarily opened new facets of cultural identities through technical and scientific analyses, collection history, and provenance research.
The monumental remains of Palmyra (also known as Tadmor) have fascinated travelers and scholars for centuries. The Oxford Handbook of Palmyra gives a detailed analysis of the archaeology and history of this ancient oasis city in the Syrian Desert, spanning evidence from several millennia. With contributions from thirty archaeologists, epigraphists, historians, and philologists, this book covers the city’s archaeological findings and history from its earliest mentions in the pre-Roman era to the destruction of many of its monuments during the Syrian Civil War and the subsequent looting. The authors recap evidence and present significant new findings and analyses from fieldwork they or others undertook in Palmyra prior to the 2011 conflict and discuss the recent occupation by ISIS and calls to defend the site’s remains from current and future threats.
Caspian is an international, peer reviewed journal, publishing high-quality, original research. Caspian is a journal devoted to archaeology, anthropology, history, art, linguistics, religion, epigraphy, and numismatics of the Caspian Sea region, encompassing both prehistoric and historic periods. The journal’s geographic range spans Caspian Sea Region, Caucasus, and Transoxiana.
Table of contents:
Shahin Aryamanesh: Introduction to the Inaugural Issue of Caspian
Shahin Aryamanesh: Obituary: Philippe Gignoux
Mehdi Rahbar: Miniature Motifs on the Ossuaries of the Bandian Dargaz Fire Temple
Seyed Rasoul MousaviHaji; Mohammad Hasan Zaal; Mona Mousavi: The Study of the Factors Considered in Locating Eastern Guilan Castles (Case Study: Amlash Castles)
Arshak Iravanian: Archaeology and History of Nowshahr, Iran
Ajdar MehribanXosbext: Middle Persian Inscriptions of the Era of Khosrow Anushirvan in Darband, Caucasus (Dagestan)
Ancient Ardaxšīr Khwarrah, today known as Shahr-e Gur, situated near the modern town of Firuzabad in Fars, Iran, holds historical significance as the inaugural capital city of the Sasanian Empire. During archaeological excavations conducted in 2005 by an Iranian–German team directed by Mas‘oud Azarnoush and Dietrich Huff, a mud-brick complex was uncovered, revealing a remarkably well-preserved stretch of wall painting and a polychrome painted floor. The discovery prompted the hypothesis of a potential funerary context dating back to the Sasanian period. Both the wall painting and painted floor have suffered extensive deterioration attributed to the environmental conditions of the archaeological site, which was inscribed on the UNESCO World Heritage List in 2020. To address the urgent need for preservation and further understanding of the site’s artistic and structural elements, an emergency diagnostic project was initiated. Non-invasive investigations were carried out on the wall and floor by optical digital microscopy and portable energy-dispersive X-ray fluorescence. Additionally, representative minute samples underwent analysis through various techniques, including micro-X-ray fluorescence, polarised light microscopy, scanning electron microscopy with energy-dispersive X-ray spectroscopy, micro-Raman spectroscopy, micro-Fourier Transform Infrared Spectroscopy, gas chromatography-mass spectrometry and pyrolysis coupled with gas chromatography-mass spectrometry. The palette of the floor and mural paintings were identified to contain red and yellow ochres, lead-based pigments, carbon black and bone white. The unexpected presence of Egyptian blue mixed with green earth was recognised in the green hues of the wall painting. The detection of protein material in both the wall painting and polychrome floor indicates the use of “a secco” technique, thereby shedding light on the artistic practices employed in Ardaxšīr Khwarrah.
This book is a collection of Nai Xia’s quintessential works on Silk Road studies. A key resource in the field of Silk Road Archaeology, it features in-depth content, a broad range of material, careful textual research, and meticulous analysis. With thorough investigations of foreign coinage, silk textiles, and artifacts with foreign styles excavated in different parts of China, it explores the exchange between ancient China and Central Asia, Western Asia, and Europe. In particular, this book provides detailed descriptions of the economic and cultural ties between ancient China, Pre-Islamic Arabia, the Sasanian Empire, and the Byzantine Empire. The research propounds innovative theories on the history and evolution of East-West transportation routes, i.e., the overland Silk Road and the Maritime Silk Road. Based on the study of ancient relics and excavated artifacts, it points out that cultural exchange along the Silk Road was never unilateral, but instead, mutual influence and cooperation were obvious. Since ancient times, countries along the Silk Road have had a tradition of amicable foreign relations and the promotion of common interests. The book is intended for academics, scholars and researchers.
The question of how Perso-Sasanian traditions of palatial architecture developed over time, and to what degree these ideas and traditions influenced the Islamic conceptualisation of a royal space, remains a hotly contested topic. Part of the problem in answering these questions lies with the fragmented and often erroneous corpus of available data. European scholarship going back to the Victorian era has been laced with orientalist assumptions and strained reconstructions, and this bias has been allowed to continue to inform analyses up until this day. Another great problem has been the dissemination of results from archaeological work conducted by Iranian scholars, which has not attained the platform necessary to be widely read and used (perhaps, in part, due to language). This article endeavours to begin remedying these long-standing problems by providing the most comprehensive reassessment to date of the monumental late Sasanian complex known as the ‘Emārat-e Kosrow. The article challenges the established tropes by juxtaposing the extant scholarship with the comprehensive dataset produced by completely new archaeological investigations at the site. It is the author’s aim that the data provided by these excavations and the analysis of their results presented here will allow us to reconceptualise not only how this iconic Sasanian palace was actually constructed, but also to use this reconceptualisation as an empirical basis for rethinking the influence of Sasanian kingship theatres of power on those of the leadership of the early umma, and on the protocol carried out in them.
