We are delighted to host another article by Adam Benkato, our long-standing collaborator and friend.
In Some Data on Publications on Sogdian, Adam uses his extensive bibliography of Sogdian philology, containing 624 entries for publications from 1904 to 2020, to show ‘how a field has grown or developed over time’.
He had previously published this article on his own website but has now moved it to Bibliographia Iranica, where we are planning to host a series of publications on bibliographies. Stay tuned for more from Adam and others.
This volume is the third set of proceedings of the project’s annual workshop, and the first to address directly the question of cross-cultural influence on and by Gandhāran art. The contributors wrestle with old controversies, particularly the notion that Gandhāran art is a legacy of Hellenistic Greek rule in Central Asia and the growing consensus around the important role of the Roman Empire in shaping it. But they also seek to present a more complex and expansive view of the networks in which Gandhāra was embedded. Adopting a global perspective on the subject, they examine aspects of Gandhāra’s connections both within and beyond South Asia and Central Asia, including the profound influence which Gandhāran art itself had on the development of Buddhist art in China and India.
Proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019. Like the previous volumes, this book is open access and available from the publisher’s website linked above.
Testing the Canon of Ancient Near Eastern Art and Archaeology invites readers to reconsider the contents and agendas of the art historical and world-culture canons by looking at one of their most historically enduring components: the art and archaeology of the ancient Near East. Ann Shafer, Amy Rebecca Gansell, and other top researchers in the field examine and critique the formation and historical transformation of the ancient Near Eastern canon of art, architecture, and material culture. Contributors flesh out the current boundaries of regional and typological sub-canons, analyze the technologies of canon production (such as museum practices and classroom pedagogies), and voice first-hand heritage perspectives. Each chapter, thereby, critically engages with the historiography behind our approach to the Near East and proposes alternative constructs. Collectively, the essays confront and critique the ancient Near Eastern canon’s present configuration and re-imagine its future role in the canon of world art as a whole.
This expansive collection of essays covers the Near East’s many regions, eras, and types of visual and archaeological materials, offering specific and actionable proposals for its study. Testing the Canon of Ancient Near Eastern Art and Archaeology stands as a vital benchmark and offers a collective path forward for the study and appreciation of Near Eastern cultural heritage. This book acts as a model for similar inquiries across global art historical and archaeological fields and disciplines.
Vol. 53 (2020), issues 3–4, of Iranian Studies dedicated to the memory of Ehsan Yarshater and entitled Endangered Iranian Languages: Language Contact and Language Islands in Iran has now been published with Saloumeh Gholami as guest editor.
The Table of Content is too extensive to be posted here. Please consult the journal website by following the link above.
This volume is a collection of papers highlighting recent researches on Syriac Christianity in China and Central Asia. The topics range from artifacts to texts and their historical contexts, covering the period from the 7th to the 18th century. As the studies on Syriac Christianity in China and Central advance, focus has shifted from a general historical survey and textual translation to a more micro and meticulous study of specific concepts and terms and particular names of persons and places.
Beginning in the early 1400s, large numbers of Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad. Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three hundred year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.
Keelan Overton is an independent scholar and historian of art specializing in the eastern Islamic world from Iran to South Asia. She is author of “Book Culture, Royal Libraries, and Persianate Painting in Bijapur, circa 1580-1630” in Muqarnas and “Filming, Photographing and Purveying in ‘the New Iran:’ The Legacy of Stephen H. Nyman, ca. 1937–42” in Arthur Upham Pope and A New Survey of Persian Art.
This volume is the first publication in English to discuss the nature and identity of the polity in the East Caucasus referred to by modern scholars as (Caucasian) Albania. The sporadic and fragmentary character of our sources for this polity means that it is difficult to construct a continuous narrative of its history, and so we offer here studies by leading specialists on particular aspects of it: geographical extent, religious and political machinations, material culture, interactions with neighboring states and key historical developments.
A number of contributions in this volume relate to Iran, which is why we announce the book rather than single articles.
This book is available open access from the link above.
During the first millennium BCE, the dromedary and, more marginally, the camel began to impose their tall silhouettes on the roads of the Middle East and Egypt. Gathered in two workshops, in Lyon then Nanterre, sixteen archaeologists and historians have tried to assess this camel revolution. From Xinjiang to the Libyan Desert, the increasingly intensive use of the old-world camelids has indeed disrupted the fields of caravan transport but also agriculture, redesigning the trade routes, increasing the export capacities of oases, opening up previously isolated areas. Gradually becoming a critical agent of the economic systems of the desert or semi-desert regions, the camels remain at the same time associated with nomadic populations whose expertise is essential to breed and train these large animals.
The Image Debate: Figural Representation in Islam and Across the World is a collection of thirteen essays which examine the controversy surrounding the use of images in Islamic and other religious cultures and seek to redress some of the misunderstandings that have arisen. Written by leading academics from the United States, Australia, Turkey, Israel and the United Kingdom, the book opens with an introduction by the editor Christiane Gruber, who sets the subject in context with a detailed examination of the debates over idols and the production of figural images in Islamic traditions. Twelve further articles are divided into three sections: the first deals with pre-modern Islamic practices and anxieties with image-making; the second addresses similar issues in Judaism, in Christianity during the Byzantine period, in pre-Islamic Iran and Central Asia, and in Hindu and Buddhist contexts in South Asia; and the third brings the reader back to Islamic lands with five articles examining traditions of figural representation in the modern and contemporary periods.