Der vorliegende Band enthält sechzehn Studien, die ein breites Spektrum an Themen untersuchen – von Fragen zum Ursprung bis zur Entwicklung kommunaler Grenzen, von zwischenmenschlichen Interaktionen bis zu gemeinsamen historischen Bedingungen, die Juden und syrische Christen im ersten Jahrtausend n. Chr. betraf.
In the early 1400s, Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad.
Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three-hundred-year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.
This volume is the first publication in English to discuss the nature and identity of the polity in the East Caucasus referred to by modern scholars as (Caucasian) Albania. The sporadic and fragmentary character of our sources for this polity means that it is difficult to construct a continuous narrative of its history, and so we offer here studies by leading specialists on particular aspects of it: geographical extent, religious and political machinations, material culture, interactions with neighboring states and key historical developments.
A number of contributions in this volume relate to Iran, which is why we announce the book rather than single articles.
Studi sulla Persia sasanide – La dinastia dei Sasanidi (224-651 CE) rappresenta a detta di molti studiosi una sorta di “età dell’oro” dell’arte e della civiltà persiana. Nonostante un corposa mole di informazioni su questo popolo si sia conservata grazie all’opera di autori greci e latini a loro contemporanei – nonché successivamente da arabi e persiani – poco resta nelle fonti dirette, rappresentate principalmente da qualche iscrizione ufficiale fatta incidere su pietra dalla numismatica e dalla glittica. Questo volume, nato dagli interventi dei massimi studiosi e conoscitori dell’ambito, raccoglie dieci saggi tratti da due convegni svoltisi in Italia e negli Stati Uniti tra il 2010 e il 2017. In particolare, vengono qui discussi vari aspetti del piano politico, sociale e religioso dell’impero sasanide e delle civiltà ad esso attigue, con lo scopo di far rivivere un’epoca molto feconda per la cultura e l’arte persiana, attribuendo un particolare rilievo a quelle che sono le testimonianze conservate nei testi scritti e nelle opere d’arte figurativa.
The definitive biography of Dadabhai Naoroji, the nineteenth-century activist who founded the Indian National Congress, was the first British MP of Indian origin, and inspired Gandhi and Nehru. Mahatma Gandhi called Dadabhai Naoroji the “father of the nation,” a title that today is reserved for Gandhi himself. Dinyar Patel examines the extraordinary life of this foundational figure in India’s modern political history, a devastating critic of British colonialism who served in Parliament as the first-ever Indian MP, forged ties with anti-imperialists around the world, and established self-rule or swaraj as India’s objective. Naoroji’s political career evolved in three distinct phases. He began as the activist who formulated the “drain of wealth” theory, which held the British Raj responsible for India’s crippling poverty and devastating famines. His ideas upended conventional wisdom holding that colonialism was beneficial for Indian subjects and put a generation of imperial officials on the defensive. Next, he attempted to influence the British Parliament to institute political reforms. He immersed himself in British politics, forging links with socialists, Irish home rulers, suffragists, and critics of empire. With these allies, Naoroji clinched his landmark election to the House of Commons in 1892, an event noticed by colonial subjects around the world. Finally, in his twilight years he grew disillusioned with parliamentary politics and became more radical. He strengthened his ties with British and European socialists, reached out to American anti-imperialists and Progressives, and fully enunciated his demand for swaraj. Only self-rule, he declared, could remedy the economic ills brought about by British control in India. Naoroji is the first comprehensive study of the most significant Indian nationalist leader before Gandhi.
As part of the Gorgias Handbook Series, this book provides a political and military history of the Sasanian Empire in Late Antiquity (220s to 651 CE). The book takes the form of a narrative, which situates Sasanian Iran as a continental power between Rome and the world of the steppe nomad.
The End of Middle East History and Other Conjectures is an unapologetic collection of imaginative essays from thought-provoking Middle East scholar Richard W. Bulliet. Not your ordinary think pieces, this volume collects for the first time Bulliet’s Big Bang–Big Crunch theory of Islamic history and his illuminating conception of the “Muslim South.” Speculations range from future political events to counterfactual histories of how reversal of the outcome of a 1529 battle might have profoundly altered history. After fifty years of posing and answering daring historical questions, Bulliet happily tackles an array of conjectures on subjects as diverse as the origin of civilization, the end of Middle East history, and future interpretations of the twentieth century.
Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran’s national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region’s political history.
Ann E. Lucas is Assistant Professor of ethnomusicology in the
Department of Music at Boston College, where she also teaches in the
Islamic Civilizations and Societies Program. She is recognized for her
work on music historiography of the Middle East.
A free open access ebook will be available upon publication of the book. Visit this link to find out more: www.luminosoa.org.
[…] This chapter focuses on two cases in which men violently seized power during civil wars, examining which strategies were used to justify the breach of peace. The first case comes from 293 CE, when the Sasanian prince Narseh rebelled against his great-nephew Bahrām III; after his victory, he erected a monument in Pāikūlı̄ with an inscription in which he presented himself as a champion of the aristocracy who had led the resistance against an unlawful king. Only after the defeat of his opponents did Narseh raise his own claim to the throne. The second example analyzed in this chapter is the case of Bahrām Čōbı̄n, who did not belong to the royal family and rebelled in 589 CE against King Hormizd IV. […]