Bibliographia Iranica

A predominantly bibliographic blog for Iranian Studies

Tag: Kushan

  • A Numismatic History of Barikot

    Shavarebi, Ehsan. 2025. A numismatic history of Barikot (Veröffentlichungen zur Numismatik 69). Verlag der österreichischen Akademie der Wissenschaften. With a contribution by Luca M. Olivieri.

    This volume offers a ‘catalogue and analysis of the coin finds from the excavations at Bīr-koṭ-ghwaṇḍai (Barikot), Swāt, Pakistan (1984–2022)’.

    For the table of contents, see here.

    The present volume explores the coins unearthed during the excavations at the ancient city of Barikot (Swāt Valley, northern Pakistan) between 1984 and 2022. The excavations of the Italian Archaeological Mission at Barikot have revealed numerous settlement phases from the prehistoric to the Islamic times. Of particular significance are over 500 coin finds, which are placed in their historical context in this volume to draw a clear picture of the monetary circulation in the Swāt Valley (Uḍḍiyāna) throughout antiquity and the early Islamic period. The chronological framework of the coin finds spans from the third century BCE to the twelfth century CE, i.e., from the Indian Maurya dynasty to the Ghaznavids. The majority of the coin finds are from the Kušān period (first to fourth century CE). Various historical, typological, metrological, and topographical aspects of the coinage and monetary circulation of each period are addressed in separate chapters. The finds from Barikot are also compared with those from other documented sites in Uḍḍiyāna, Gandhāra, and adjacent regions in the Indo-Iranian borderlands. What should be highlighted is the stratigraphic documentation of the find contexts, which, based on the radiocarbon analyses, makes it possible to bring the coins into relation with other types of archaeological artifacts. This subject is discussed in an archaeological contribution by the director of the excavations, Luca M. Olivieri.

  • Kushano-Sasanian copper coins

    Schindel, Nikolaus. 2025. Schatzfunde kushano-sasanidischer Kupfermünzen und ihr Beitrag zur Kenntnis von Prägesystem und Geldumlauf im kushano-sasanidischen Herrschaftsbereich. In Kooperation mit Shakir Pidaev. Wien: Österreichische Akademie der Wissenschaften.

    Der vorliegende Band dokumentiert acht Schatzfunde spätkushanischer und kushano-sasanidischer Kupfermünzen aus unterschiedlichen Quellen. Neben der Vorstellung des Materials werden unterschiedliche Themen wie Prägeherren, Münzstätten, Metrologie und Beizeichen im Detail besprochen. Vor allem aber wird zum ersten Mal seit Robert Göbls Studien aus den Jahren 1984 und 1993 der Versuch unternommen, auf der Grundlage einer umfassenden Rekonstruktion des Prägesystems die kushano-sasanidischen AE-Münzen in den historischen Kontext der spätantiken Geschichte Ostirans einzuordnen, wobei auch die immer noch umstrittene Frage nach der Datierung des Jahres Eins des Kushankönigs Kanishka I. behandelt wird. Dies ist der zweite Band der Reihe „Fundmünzen aus Usbekistan“.

  • Iran and the Caucasus 28 (1-2)

    The first and second issues of volume 28 of Iran and the Caucasus are published and contain several interesting contributions. Below are listed the articles that deal with ancient Iran:

  • The Kushan Pantheon and the Significance of the Kushan Goddess Nana

    Cribb, Joe, Aman Ur Rahman & Pankaj Tandon. 2023. The Kushan pantheon and the significance of the Kushan goddess Nana, in the light of new numismatic evidence of iconography and identity. Journal Asiatique 311(2). 247–266.

    Numismatic evidence has played a large role in the study of Kushan religion. The earliest assessments recognised the Iranian nature of Kushan religion, but later focus on elements of naming and iconography from other culture particularly Greece and India have obscured this early analysis. Recently found inscriptions and coins allow a reassessment re-establishing a clearer view of the nature of Kushan religion and its expression in coin designs, contemporary art and architecture. The opportunity presented by the discovery of new numismatic imagery of the goddess Nana allows a reappraisal of her place in the pantheon and a review of the current perspectives on Kushan religion.

  • The Limits of Empire in Ancient Afghanistan

    Payne, Richard & Rhyne King (eds.). 2020. The limits of empire in ancient Afghanistan: Rule and resistance in the Hindu Kush, circa 600 BCE–600 CE (Classica et Orientalia 24). Wiesbaden: Harrassowitz.

    The territory of modern Afghanistan provided a center – and sometimes the center – for a succession of empires, from the Achaemenid Persians in the 6th century BCE until the Sasanian Iranians in the 7th century CE. And yet these regions most frequently appear as comprising a “crossroads” in accounts of their premodern history.

    This volume explores how successive imperial regimes established enduring forms of domination spanning the highlands of the Hindu Kush, essentially ungovernable territories in the absence of the technologies of the modern state. The modern term “Afghanistan” likely has its origins in an ancient word for highland regions and peoples resistant to outside rule. The volume’s contributors approach the challenge of explaining the success of imperial projects within a highland political ecology from a variety of disciplinary perspectives with their respective evidentiary corpora, notably history, anthropology, archaeology, numismatics, and philology. The Limits of Empire models the kind of interdisciplinary collaboration necessary to produce persuasive accounts of an ancient Afghanistan whose surviving material and literary evidence remains comparatively limited. It shows how Afghan-centered imperial projects co-opted local elites, communicated in the idioms of local cultures, and created administrative archipelagoes rather than continuous territories. Above all, the volume makes plain the interest and utility in placing Afghanistan at the center, rather than the periphery, of the history of ancient empires in West Asia.

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  • Wēś in Early Kushan Coinage

    Taasob, Razieh. 2020. Representation of Wēś in early Kushan coinage: Royal or local cult? Afghanistan 3(1). 83–106.

    Wēś on a coin of Huvishka (© American Numismatic Society, 1944.100.63654)

    The religious significance of Wēś is a widely debated topic in the historical and numismatic study of Central Asia, including contributions from several scholars who claimed that the representation of Wēś in early Kushan coinage, particularly in the coins of Vima Kadphises (ca. ce 113–127), was an allusion to the conversion of the king to Shivaism. This paper contests the claim that the certain attributes depicted with Wēś should not be construed as belonging to the Indian god Śiva or the Greek god Heracles. The royal portrait on the obverse of the coinage of Vima Kadphises shows the king taking part in the Iranian practice of sacrificing at a fire altar, which further supports the claim that the depiction on the reverse is of the Iranian god Wēś. This paper also challenges recent studies, which suggest that the representation of Wēś may have served only as a royal cult or merely to announce the personal faith of the king. Therefore, this account seeks to remedy this misconception by pointing to the absence of other types of coins used for normal transactions by ordinary people which could have likewise represented their religious cults. Consequently, this article shows that Wēś was a religiously syncretic phenomenon that displays the religious practice of all levels of Kushan society including both the king and the locals who were mostly Bactrian-Iranian during the early Kushan period rather than Indian.

  • New Research on Central Asian, Buddhist and Far Eastern Art and Archaeology

    Juliano, Annette & Judith Lerner (eds.). 2019. Inner and Central Asian art and archaeology. Vol. 2. New research. Turnhout: Brepols.

    This second volume of the series offers a broad range of subject matter from an equally broad range of regions. Michael Shenkar compares a particular type of deity from the Parthian West (Palmyra, Hatra) with the colossal image of a divinity from Akchakhan-kala in ancient Choresmia (part of modern-day Uzbekistan). Careful iconographic analysis of a sealing showing the god Mithra, found at Kafir Qala near Samarkand, allows Fabrizio Sinisi to suggest a Kushan origin for the seal that made the impression. Several contributions on Sogdiana concern its archaeology and early history (Bi Bo on Kangju and Sogdiana); the iconography of one of the major wall painting cycles at Panjikent (Matteo Compareti) as well as the city’s temples and deities worshipped (Markus Mode). By drawing on archaeological, ethnological and historical data, Sören Stark offers an extensive discussion of mountain pastoralism and seasonal occupation in northern Tajikistan, north of the Zerafshan River in what were borderlands for Sogdiana. Rounding out the first part of this volume is Suzanne G. Valentine’s publication of a Bactrian camel clay sculpture, excavated in the Sui-Tang capital of Xi’an, its saddlebags decorated with an unusual motif. The second and last part is guest-edited by John Clarke, convener of a Buddhist conference in 2010. This section contains updated or new papers by some of the participants—Naman P. Ahuja on Buddhist imagery in Bengal; Amy Heller on the impact of Kashmiri art on Guge and Ladakh; Deborah Klimburg-Salter on Buddhist pilgrimage sites in Afghanistan; and Michael Willis on sculpture from Sarnath in the British Museum—along with that of Chiara Bellini on the restoration of the Alchi Sumtsek and the dating of the Ladakhi temple.

    Table of Contents
    On Central Asian Art and Archaeology
    ·      Michael SHENKAR – “The Chorasmian Gad: On the “Colossal” Figure from Akchakhan-kala”
    ·      Fabrizio SINISI – “A Kushan Investiture Scene with Mithra on a Seal Impression from Kafir Qala, Samarkand”
    ·      BI Bo – “Recent Archaeological Discoveries Regarding Kangju and Sogdiana”
    ·      Matteo COMPARETI – “Simurgh or Farr? On the Representation of Fantastic Creatures in the Sogdian ‘Rustam Cycle’ at Panjikent”
    ·      Markus MODE – “In the Heart of the City: On Sogdian Temples and Deities at Panjikent”

    On Buddhist Sculpture:
    Papers from a Symposium held at the Victoria and Albert Museum, London, November 8 and 9, 2010, and Papers Inspired by the Symposium
    ·      John CLARKE (Guest Editor) – “Introduction”
    ·      Naman P. AHUJA – “Rethinking the History of Buddhist Imagery in Bengal, circa 200 BCE – 700 CE”
    ·      Michael WILLIS – “Markham Kittoe and Sculpture from Sarnath in the British Museum”
    ·      Deborah KLIMBURG-SALTER – “Buddhist Pilgrimage to India: Bamiyan, Kapisa
    ·      -Kabul, and Mes Aynak”
    ·      Amy HELLER – “Tracing the Impact of Kashmiri Art in Guge and Ladakh, Eleventh to Thirteenth Centuries”
    ·      Chiara BELLINI – “Some Other Pieces of the Puzzle: The Restoration of the Alchi Sumtsek by Tashi Namgyal and Other Considerations on the Dating of the Ladakhi Temple”

    On Far Eastern Art and Archaeology
    ·      Bonnie CHENG – “The Underground Silk Road – Pictorial Affinities in Fifth-century Cave Temples and Tombs”
    ·      Heather D. CLYDESDALE – “Buried Towers: Artistic Innovation on China’s Frontier”
    ·      Suzanne G. VALENSTEIN with Annette L. JULIANO and Judith A. LERNER – “Hellenism in Sui-Tang Chang’an: Dionysiac Imagery on Mortuary Camels”
    Young-pil KWON – “Note on Border Patterns Dividing the Earthly and Heavenly Realms in Goguryeo Tomb Paintings”

  • Kujula Kadphises and his title Kushan Yavuga

    Cribb, Joe. 2018. Kujula Kadphises and his title Kushan Yavuga (Sino-Platonic Papers 280). Philadelphia: University of Pennsylvania.

    This paper sets out to examine the use of the term in the Chinese chronicles of the period of the Kushan xihou and in coin and stone inscriptions of Kujula Kadphises to illustrate the function of this title for him and interrogate the contextual evidence from these sources for the meaning of this title and its likely origins.

  • Silk, Slaves, and Stupas

    Whitfield, Susan. 2018. Silk, slaves, and stupas: Material culture of the Silk Road. Oakland, California: University of California Press.

    Following her bestselling Life Along the Silk Road, Susan Whitfield widens her exploration of the great cultural highway with a new captivating portrait focusing on material things. Silk, Slaves, and Stupas tells the stories of ten very different objects, considering their interaction with the peoples and cultures of the Silk Road—those who made them, carried them, received them, used them, sold them, worshipped them, and, in more recent times, bought them, conserved them, and curated them. From a delicate pair of earrings from a steppe tomb to a massive stupa deep in Central Asia, a hoard of Kushan coins stored in an Ethiopian monastery to a Hellenistic glass bowl from a southern Chinese tomb, and a fragment of Byzantine silk wrapping the bones of a French saint to a Bactrian ewer depicting episodes from the Trojan War, these objects show us something of the cultural diversity and interaction along these trading routes of Afro-Eurasia.

    Susan Whitfield, author of Life Along the Silk Road, is a scholar, curator, writer, and traveler who has been exploring the history, art, religions, cultures, objects, exploration, and people of the Silk Road for the past three decades.

  • Royal Imagery on Kushan Coins

    Vima Kadphises, gold dinar. © CNG Triton XII (6-1-2009), lot 421 (7.97g)
    421 (7.97g)

    Sinisi, Fabrizio. 2017. Royal Imagery on Kushan Coins: Local Tradition and Arsacid Influences. Journal of the Economic and Social History of the Orient 60(6). 818–927.

    This article deals with the development of Kushan royal imagery as known from coins in the period between the 1st and the 3rd centuries AD, i.e. from the so-called Heraios series to the coins of Vasudeva. The aim is to challenge the traditional interpretative models which ascribed a crucial role to a Roman contribution, and to highlight instead first the role of the local numismatic tradition, which stretched back to the Graeco-Bactrians, and then the influx of patterns of royal imagery of western Iranian—namely Arsacid Parthian—origin, around the time when Vima Kadphises inaugurated a new imperial coinage.
    Fabrizio Sinisi is a scholar of Iranian and numismatic studies at the Austrian Academy of Sciences (ÖAW), Vienna.