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Articles

The Coherence of Yasna

Zoroastrian fire ceremony.

Ahmadi, Amir. 2017. On the coherence of Yasna: A critical assessment of recent arguments. Bulletin of the School of Oriental and African Studies 1-26.
DOI

In recent years a number of scholars have proposed more or less detailed schemas of the formation of the Zoroastrian ritual. These schemas offer accounts of the arrangement of the texts in the liturgy, the process of its formation, and even its function from an endogenous perspective. One way or another, they argue that the official Zoroastrian liturgy is an integrated ritual with a coherent text, and that the function of the ritual and the intention behind the arrangement of the texts can be determined by means of philological, literary and comparative analyses. The questions of formation and meaning of the Zoroastrian liturgy these scholars have placed on the agenda are important not only for the study of Zoroastrianism but also for the history of religions and ritual theory. I consider their accounts with respect to the texts they invoke and the methods they use, and show that their arguments suffer from fatal flaws.

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Articles

Avestan Textile Terms

Andrés-Toledo, Miguel Ángel. 2017. Sasanian exegesis of Avestan textile terms. In Gaspa, Salvatore, Cécile Michel & Marie-Louise Nosch (eds.), Textile terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, 397–403. Lincoln, NE: Zea Books.

DOI

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Articles

The Administrative Division of the 13th Satrapy of Achaemenid Persia in the Reign of Darius II

Khorikyan, Hovhannes. 2017.  The Administrative Division of the 13th Satrapy of Achaemenid Persia in the Reign of Darius II. Metamorphoses of History, Scientific Almanac 10: 174-180.

The Babylonian document BE. X.107 dated by the period of Darius II contains some very important information which is connected to the administrative division of the Achaemenid Empire. Shamesh/Iltammešbarakku who was the governor of the people of Urashtu (Urartu) and Milidu, is mentioned in the document. Urashtu-Urartu corresponds with Armenia and Milidu-Melitine, and when it was mentioned with the latter,
was an indivisible part of Satrapic Armenia, and Herodotus’ account proves this. Therefore, it can be said that Milidu is mentioned separately because it later became the center of Pactyica after Darius I’s administrative reforms; it was also one of the centers of the 13th satrapy which remained part of Armenia, despite the new administrative changes. Its ruler, the
satrap, continued having the title of “Governor of the People of Urashtu and Milidu (in a broad sense, Pactyica)”. Therefore, one can state that Melitine and its outlying regions, being to the west of the Euphrates where the territory of Armenia Minor would be established in the future, were an indivisible part of the country known as Armina-Armenia, during the entire period of Achaemenid reign.

 

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Events

The Eighth Biennial Convention of the Association for the Study of Persianate Societies (ASPS)

 

The forthcoming Rescheduled Eighth Biennial Convention of the Association for the Study of Persianate Societies (ASPS) will be hosted by Tsereteli Institute of Oriental Studies at Ilia State University.

March 15-18, 2018
Tbilisi, Georgia

Read the detailed conference proframme here.

Venue Site

Ilia State University
Kakutsa Cholokashvili Ave 3/5
Tbilisi 0162, Georgia
https://iliauni.edu.ge/en/

Tsereteli Institute of Oriental Studies, 3, Academician G. Tsereteli street, 0162 Tbilisi, 0162, Georgia
http://iliauni.edu.ge/en/iliauni/institutebi-451/g-weretlis-agmosavletmcodneobis-instituti-742

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Articles

Iranian Elements in Buddhist Astrology

Our last post for the year 2017, an article by Jeffrey Kotyk, is appropriately on Iranian elements in Buddhist astrology. We wish all our readers a happy new year:

Kotyk, Jeffrey. 2017. Iranian elements in Late-Tang Buddhist astrology. Asia Major 30(1), 25-58.

Overview of the history of Chinese Buddhist astrology with a special focus on Iranian elements in the Qiyao rangzai jue 七曜攘災決.

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Articles

Dēnkard and the Socio-Religious Identity in the Early-Islamic Iran

Terribili, Gianfilippo. 2017. Dēnkard III Language Variation and the Defence of Socio-Religious Identity in the Context of Early-Islamic Iran. Open Linguistics 3(1).

 

The aim of the present paper is to illustrate as a case study, the linguistic and stylistic peculiarities characterizing the third book of the Dēnkard, one of the most authoritative texts in Zoroastrian Pahlavi literature (9th-10th CE). The analysis will consider these features as part of a coherent system, styled to serve the dialectic strategies pursued by the Zoroastrian high priests in response to the pressures their own community was facing in the early Islamic period. In order to provide a more comprehensive overview on DkIII language distinctiveness, the research will underline the outward/inward dynamics, addressing both the relation of this theological dialectic with the surrounding socio-cultural environment and the leadingrole claims of a group within a politically subordinated community.

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Articles

The Portrait of a Hellenistic Ruler in the National Museum of Iran

Lindström, Gunvor. 2017. The Portrait of a Hellenistic Ruler in the National Museum of Iran. In  Daehner, Jens M., Kenneth Lapatin, and Ambra Spinelli (eds.), 198-204, Artistry in Bronze: The Greeks and Their Legacy (XIXth International Congress on Ancient Bronzes). Los Angeles: J. Paul Getty Museum; Getty Conservation Institute.

The portrait of a Hellenistic ruler in the National Museum of Iran (inv. 2477) is the most prominent archaeological testimony of the Hellenistic presence in Iran. It shows the spread of Hellenistic largescale sculpture in the regions east of the Tigris River, of which there is otherwise very little evidence. Furthermore, it is one of the few preserved original Hellenistic large-scale bronzes. Nevertheless, this extraordinary piece of art is rarely illustrated in handbooks on Hellenistic sculpture or ruler portraits, and only a few specialists are familiar with this bronze. The head represents a ruler, likely a king of the Seleucid dynasty, which ruled Iran in the third and second centuries BC. But due to the portrait’s intense deformation, the ruler represented could not be identified until now. In August 2015 a project was started with the aim of reconstructing the original facial features. Although this aim has not been achieved, the investigations at the National Museum of Iran have already yielded extraordinary results.

 

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Books

Sasanian coins, middle-Persian etymology and the Tabarestān archive

Gyselen, Rika (ed.). 2017. Sasanian coins, middle-Persian etymology and the Tabarestān archive. (Res Orientales 26). Bures sur Yvette: Groupe d’Etude de la Civilisation du Moyen-Orient.

Table of Contents:
  • Rika Gyselen; Malek Iradj Mochiri together with Hendrik Hameeuw: “Une collection de monnaies sassanides de billon, de cuivre et de plomb”
  • Rüdiger Schmidt: “Zu Lesung und Interpretation sasanidischer Monogramme”
  • Alicia Van Ham-Meert; Bruno Overlaet; Philippe Claeys and Patrick Degryse: “The Use of micro-XRF for the elemental analysis of Sasanian lead coins from the collections of the Royal Museums of Art and History in Brussels”The Tabarestan archive (VIIIth century)
  • Dieter Weber: “Pahlavi Legal Documents from Tabarestan on Lease, Loan and Compensation: A Philological Study”
  • Maria Macuch: “Pahlavi Legal Documents from Tabarestan on Lease, Loan and Compensation: The Juristic Context”
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Books

The Imagery of the Ritual Landscape at Persepolis

Garrison, Mark B. 2017. The ritual landscape at persepolis: glyptic imagery from the persepolis fortification and treasury archives. (Studies in Ancient Oriental Civilization 71). Chicago, IL: Oriental Institute of the University of Chicago.

There are, perhaps, no more contentious issues within the study of Achaemenid Persia than those surrounding its religion(s) and religious iconography. Owing to the role that fire plays in Zoroastrian beliefs in later periods in Iran, almost any discussion of the subject of Achaemenid religion will eventually turn to the identification of sacred fire, fire temples, fire worship, and fire altars in the archaeological, epigraphic, and literary records.

The focus of this book is a corpus of glyptic imagery preserved as impressions on two large archives of administrative tablets from Persepolis, the Persepolis Fortification archive (509-493 BC) and the Persepolis Treasury archive (492-457 BC). The glyptic imagery here published concerns representations of what have been traditionally termed “fire altars” and/or “fire temples.” Most of this glyptic evidence has never been published; many of the structures and the scenes in which they occur are strikingly original.
The goals of this study are to introduce a new corpus of visual imagery concerning religious ritual in the Achaemenid period and to explore the significance of this visual language for our understanding of ritual traditions emerging within the heart of the empire at its most critical formative period, the reign of Darius I. This study seeks also to use the Persepolitan glyptic evidence as a springboard to re-visit the most famous “fire altar” depicted in Achaemenid art, that on the tomb relief of Darius I at Naqs-e Rostam.

This study is an initial step in the development of a religious topography for the zone encompassing Persepolis and Naqs-e Rostam, both a topography on the imaginary level (through images) and a topography on the physical level (through the built space). The glyptic images assembled in this study are the most numerous, the most visually complex, and the best dated and contextualized evidence that currently exists for the study of fire in ritual, and religious ritual more broadly, in early Achaemenid Iran.

You can download and read this volume here.

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Books

Shahnama Studies III

van den Berg, Gabrielle (ed.). 2017. Shahnama Studies III: The Reception of the Shahnama. Leiden: Brill.

Shahnama Studies III focuses on the hugely successful afterlife of the Shahnama or Book of Kings, completed by the poet Firdausi around 1010 AD. This long epic grew out to be an icon of Persian culture and served as a source of inspiration for art and literature, leaving its traces in manifold ways. The contributors to this volume each treat an aspect of the rich legacy of the Shahnama and offer new insights in Shahnama manuscript studies, the illustration of the Shahnama, the phenomenon of later epics, and the Shahnama in later texts and contexts.

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