The sixteenth and seventeenth centuries saw the establishment of the new Safavid regime in Iran, heir not only to the succession of leadership of the Safavid sufi order, but also to the Aq Qoyunlu dispensation of western Iran and more remotely to the Timurid Empire in the East. Along with reuniting the Persian lands under one rule, the Safavids initiated the radical transformation of the religious landscape by introducing Imami Shi‘ism as the official state faith and in this as in other ways, laying the foundations of Iran’s modern identity. While sometimes viewed as a period of decline from the highpoints of classical Persian literature and the visual arts of preceding centuries, the Safavid era was nevertheless a period of great literary and artistic activity in the realms of both secular and theological endeavour. In addition, with the establishment of comparable polities in across western, southern and central Asia at broadly the same time, interactions with Ottoman, Mughal and Uzbek neighbours ensured fruitful interactions with other Muslim states also making the transition for the medieval to the modern world. Finally, European encounters with these worlds provide rich new layers of information and evidence of material and intellectual transmission.What does the Idea of Iran mean at this period? Can we discern the ways that contemporaries viewed their traditions and their environment (natural or built); what was the view of outsiders, and how does modern scholarship define the distinctive aspects of the period? These are some of the questions we hope to explore in the symposium dedicated to this rich and highly productive period that took Iran to the eve of modernity.Convened by Sarah Stewart, SOAS and Charles Melville, University of Cambridge.
From 550 to 330 BCE, the Achaemenid empire conquered different regions and united them under the rule of its king. To finance its military expeditions, its administration and its building projects, the empire extracted taxes from the peoples it ruled. But was there a common fiscal system uniting Babylonia, Egypt, Iran, Asia Minor, Bactria, etc., managed by a corps of administrators and agents imposing Achaemenid rules? This workshop will bring together specialists of archeological and written sources from different provinces of the empire to discuss the problems associated with this question and to present the realities of the local peoples living in of the Achaemenid empire.
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The Berlin Graduate School of Ancient Studies (BerGSAS) with funding of the Einstein Centre Chronoi “Time and Awareness of Time in Ancient Societies” is offering at Freie Universität Berlin and at Humboldt-Universität zu Berlin 8 doctoral fellowships for the winter term 2018/19, starting on January 1st, 2019.
Receiving a fellowship is connected with the admission to the Berlin Graduate School of Ancient Studies (BerGSAS) and participation in one of the graduate school’s five doctoral programs. Each program is based on a structured curriculum.
Khalili Lecture Theatre, SOAS University of London
Russell Square WC1H 0XG
Taq Kasra: Wonder of Architecture is the first-ever documentary film on the world’s largest brickwork vault. The palace was the symbol of the Persian Empire in the Sasanian era (224-651 AD), when a major part of Mesopotamia (modern Iraq) was part of Persia. Taq Kasra was in serious danger of ISIS attacks in 2015-2016 and this was the main motivation for documentary maker Pejman Akbarzadeh, based in Holland, to travel to Iraq twice and film the arch before it was potentially destroyed. (Read more)
The documentary is produced by the Persian Dutch Network, in association with Toos Foundation, and partially funded by the Soudavar Memorial Foundation.
Following the screening, a Q&A session will be held with the presence of the documentary director Pejman Akbarzadeh and Vesta Sarkhosh-Curis of the British Museum, a scholar of Persian art in Sasanian and Parthian eras.
The forthcoming Rescheduled Eighth Biennial Convention of the Association for the Study of Persianate Societies (ASPS) will be hosted by Tsereteli Institute of Oriental Studies at Ilia State University.
Today, the Institute of Iranian Studies, Freie Universität Berlin, received the confirmation of funding for Corpus Avesticum Berolinense (CAB), a long-term project funded by the German Research Foundation (DFG) for 12 years . The goal of CAB is to edit all Zoroastrian rituals preserved in the Avestan language. This is excellent news for the institute and the discipline. The BiblioIranica team congratulates Prof. Alberto Cantera for this achievement. It is more than well-deserved.
International Conference of the Leibniz-WissenschaftsCampus Mainz: Byzantium between Orient and Occident.
October 18–20, 2017, Mainz/Germany
Organized by Prof. Dr. Falko Daim (General Director, RGZM) and Prof. Dr. Neslihan Asutay-Effenberger (Johannes Gutenberg- Universität, Mainz)
Cultural exchanges between Christianity and Islam, especially between Byzantium and its Islamic Neighbours, but also in the Caucasian region, have been an attractive topic for historians, art historians and archaeologists in recent years. Scholarly interest focuses on diplomatic gift exchange, trade, the mobility of artists and the common motifs in both Christian and Islamic objects. The stage extends from Spain to Afghanistan and justifies the necessity of this debate. Yet, unfortunately, the role of one of the important protagonists of this exchange, namely the Persian Sasanians, is less well researched, although many important artistic and cultural phenomena in Byzantium, Armenia, and Georgia as well as in the Islamic countries can only be understood when this culture is included.
The Sasanian Empire (224-651 A.D.) extended over a large territory. In Late Antiquity and the early Medieval Era, it ruled the whole area of modern Iran, Iraq, Azerbaijan, Pakistan and Afghanistan. The Caucasian region was exposed to its political influence. Until the middle of the 7th century, Sasanians were the major rival of the Late Roman and Eastern Roman (Byzantine) Empire and exported art and culture into these civilizations through various means and on different levels. The cultural connections ended after the fall of the Sasanian Empire, which was replaced mainly by Arab Muslims, and a new era began: the new owners of the territory then adapted Sasanian elements into their own culture.
From the10th century onwards, the Turkish dynasties such as the Ghaznawids (963-1186) or the Great Seljuks (1019-1157 / de facto until the 13th century) settled in Persia and styled themselves as the successors of the Sasanians as well as as Turks; hence, they were called “Persians” in Byzantine sources. The Sasanian artistic and architectural tradition continued to exist in these cultures. The same phenomenon also applies to the Turkish Rum-Seljuks, who founded their empire in Anatolia: Persian was the court language, the sultans were named after Sassanian heroes from the Shahname (Keykubad, Keyhusrev, Keykavus), and despite the religious prohibition, drinking scenes were depicted in the artworks and wine played an important role at the ceremonies and celebrations according to the Sasanian model.
As can be clearly seen, the Sasanian Empire had not only ‘transfused’ its art and culture to its neighbourhood during its prime time, but also influenced the successor states after its decline. Just as Ancient Greek and Roman culture played an important role in the formation of Western Europe, the Sasanian Empire bequeathed, a remarkably rich cultural heritage to the Christian and Islamic East.
The conference “Sasanian Elements in Byzantine, Caucasian and Islamic Art and Culture” succeeds “Der Doppeladler. Byzanz und die Seldschuken in Anatolien vom späten 11. bis zum 13. Jahrhundert”, which was held at the Römisch-Germanisches Zentralmuseum, Mainz in October 2010. The first event dealt with the cultural relations between Islam, particularly Turkish Islam, Byzantium and the Caucasus. At the forthcoming conference, we aim to discuss the role of the Sasanian Empire in the process of cultural exchange before and after its decline.