Avetisyan, Pavel S., Roberto Dan & Yervand H. Grekyan (eds.). 2019. Over the Mountains and Far Away: Studies in Near Eastern history and archaeology presented to Mirjo Salvini on the occasion of his 80th birthday. Archaeopress.
The publication of Over the Mountains and Far Away: Studies in Near Eastern history and archaeology presented to Mirjo Salvini on the occasion of his 80th birthday was initiated by the Institute of Archaeology and Ethnography, National Academy of Sciences of Armenia, the International Association of Mediterranean and Oriental Studies (Rome, Italy) and the Association for Near Eastern and Caucasian Studies (Yerevan, Armenia) as a tribute to the career of Professor Mirjo Salvini on the occasion his 80th birthday. It is composed of 62 papers written by his colleagues and students from Italy, Germany, France, Spain, Poland, the Netherlands, Denmark, Austria, Great Britain, Russian Federation, Israel, Turkey, Islamic Republic of Iran, Georgia, United States and Armenia. The contributions presented here cover numerous topics, a wide geographical area and a long chronological period. However, most of the contributions deal with research in the fields of Urartian and Hittite Studies, the topics that attracted Prof. Salvini during his long and fruitful career most.
For the table of contents click here.
Zeeuw, Hans de. 2019. Tanbûr long-necked lutes along the Silk Road and beyond. Oxford: Archaeopress.
Tanbûr Long-Necked Lutes Along the Silk Road and beyond explores the origin, history, construction, and playing techniques of tanbûrs, a musical instrument widely used over vast territories and over many centuries. The diffusion of the tanbûr into the musical cultures along the Silk Road resulted in a variety of tanbûrs with two or more, occasionally doubled or tripled courses, a varying number and variously tuned frets, each having its own characteristic sound, playing technique, and repertory. Since the last century, tanbûrs spread beyond the Silk Road while new versions continue to appear due to changing musical and tonal demands made on them. Similar or identical instruments are also known by other names, such as saz or bağlama, dotâr or dutâr, setâr, dömbra, and dambura.
Cameron, Hamish. 2019. Making Mesopotamia: Geography and Empire in a Romano-Iranian Borderland (Impact of Empire, 32). Leiden: Brill.
In Making Mesopotamia: Geography and Empire in a Romano-Iranian Borderland, Hamish Cameron examines the representation of the Mesopotamian Borderland in the geographical writing of Strabo, Pliny the Elder, Claudius Ptolemy, the anonymous Expositio Totius Mundi, and Ammianus Marcellinus. This inter-imperial borderland between the Roman Empire and the Arsacid and Sasanid Empires provided fertile ground for Roman geographical writers to articulate their ideas about space, boundaries, and imperial power. By examining these geographical descriptions, Hamish Cameron shows how each author constructed an image of Mesopotamia in keeping with the goals and context of their own work, while collectively creating a vision of Mesopotamia as a borderland space of movement, inter-imperial tension, and global engagement.
Khafipour, Hani. 2019. The empires of the Near East and India: Source studies of the Safavid, Ottoman, and Mughal literate communities. New York: Columbia University Press.
In the early modern world, the Safavid, Ottoman, and Mughal empires sprawled across a vast swath of the earth, stretching from the Himalayas to the Indian Ocean to the Mediterranean Sea. The diverse and overlapping literate communities that flourished in these three empires left a lasting legacy on the political, religious, and cultural landscape of the Near East and India. This volume is a comprehensive sourcebook of newly translated texts that shed light on the intertwined histories and cultures of these communities, presenting a wide range of source material spanning literature, philosophy, religion, politics, mysticism, and visual art in thematically organized chapters. Scholarly essays by leading researchers provide historical context for closer analyses of a lesser-known era and a framework for further research and debate. The volume aims to provide a new model for the study and teaching of the region’s early modern history that stands in contrast to the prevailing trend of examining this interconnected past in isolation.Source: The Empires of the Near East and India | Columbia University Press
Rienjang, Wannaporn & Peter Stewart (eds.). 2019. The geography of Gandhāran art. Oxford: Archaeopress.
Proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018. This volume is open access and available from the publisher's website linked above.
Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or ‘school’. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill.
Hyland, John. 2019. The Achaemenid Messenger System and the Ionian Revolt: New Evidence from the Persepolis Fortification Archive. Historia 68(2), 150-169.
The express messenger (pirradaziš) system attested in the Persepolis Fortification Archives played a crucial role in Achaemenid Persia’s control of a widespread provincial administrative system. Its potential relevance for Persian military operations is illustrated by a series of tablets, some previously unpublished, recording multiple messengers’ journeys between the court of Darius I and his brother Artaphernes at Sardis in 495-494 BCE. The timing and locations of their travel suggest a connection with the Persian offensive against Miletos and the suppression of the Ionian Revolt.
Tafażżolī, Aḥmad. 1398 š . Taṣḥīḥ-o tarǧome-ye Sutgar nask va Varšt-mānsar nask az Dēnkard-e 9 va sanǧeš-e in do nask bā matnhā-ye avestāʾi [An Edition and Translation of Sūtkar-Nask and Varštmānsar-Nask from Dēnkard 9 in comparison with the Avestan texts]. (Ed.) Žāle Āmuzgār. Tehran: Center for the Great Islamic Encyclopedia.
The Middle Persian Dēnkard “Acts of the religion” is a summary of 10th-century Zoroastrian knowledge of religion, considered as the “Mazdean encyclopedia”. It is divided into nine books of which, the first two and the beginning of the third are lost. The Book IX of Dēnkard consists commentaries on the three great Mazdean prayers: Ahunwar, Ašem vohū, and Yeŋ́hē hātąm from the gathic nasks of Sūtkar, Varštmānsar, and Bagnasks. Tafażżolī’s edition comprises the first two nasks, which are of mythical and historical contents.
Aḥmad Tafażżolī (1316 š/1937-1375 š/1997) was a prominent scholar and philologist in the field of Middle Iranian studies. His works deal with lexicography and the edition of Middle Persian (Pahlavi) texts and Iranian mythology, most of which, regretfully now lost. This volume is his for the first time postmortemously published doctoral thesis in ancient Iranian languages, defended on 1965 under the direction of Ṣādeq Kiā at the Tehran University. Furthermore he left nearly a dozen books, more than a hundred articles, and many book reviews, which those in Persian are also recently publihsed in The Collected Writings of Ahmad Tafazzoli.
Tafażżolī, Aḥmad. 1398 š . Maqālāt-e Aḥmad Tafażżolī [The collected writings of Ahmad Tafazzoli]. (Ed.) Žāle Āmuzgār. Tehran: Toos Publications.
The collection includes Aḥmad Tafażżolī’s published Persian scholorly articles on various subjects of ancient and middle Iranian studies, Iranian philology as well as Zoroastrian studies in two sections and 472 pages. The first sections comprises 55 articles and the second section is devoted to his reviews and contains 19 reviews and critical seurvays, edited by Zhaleh Amuzgar.
Aḥmad Tafażżolī (1316 š/1937-1375 š/1997) was a prominent scholar and philologist in the field of Middle Iranian studies. His works deal with lexicography and the edition of Middle Persian (Pahlavi) texts and Iranian mythology, most of which, regretfully now lost. His doctoral dissertation on Dēnkard IX is published recently posthumously. He left nearly a dozen books, more than a hundred articles, and many book reviews, which those in Persian are gathered and edited in this volume.
The table of contents of this volume can be seen here.
Cantera, Alberto. 2019. Fire, the greatest god (ātarš … mazišta yazata). The cult of the “eternal” fire in the rituals in Avestan. Indo-Iranian Journal 62(1), 19–61.
The following paper is concerned with a comparison between the Vedic hymn RV VII 55 and the Vīdēvdād chapter XVIII 16. It is argued that little lullaby-themes, aimed at quieting men as well as animals, have come to be included into sacral and religious texts from popular sources (e.g. magical charms to be performed on sleepless babies), revealing Proto-Indo-European formulae and stylistic patterns that can be reconstructed. A Hittite text and some fragments of Greek poems by Simonides and Alcman are also included in the list of the passages to be compared.
The first issue of Studia Iranica 47 (2018) has been published. For a table of contents and access to individual articles, see below or visit this page.