Tag: Art History

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Books

Paintings of afrāsyāb

Details of a copy of mural called The Ambassordors’ Painting, found in the hall of the ruin of an aristocratic house in Afrasiab, commissioned by the king of Samarkand, Varkhuman (ca. 650)

Compareti, Matteo. 2015. Samarkand the center of the world: proposals for the indentification of the afrasyab paintings. Costa Mesa: Mazda Publishers.

 In antiquity Samarkand was the capital of the Persian province of Sogdiana. Its language, culture, and “Zoroastrian” religion closely approximated those of the Persians. Following its conquest by Alexander, its strategic position and fertile soil made Sogdiana a coveted prize for Late Antique invaders of Central Asia. Around 660 CE — at the dawn of Arab invasion — local king Varkhuman promoted the execution of a unique painted program in one of his private rooms. Each wall was dedicated to a specific population: the north wall, the Chinese; the west, the Sogdians themselves; the east, the Indians and possibly the Turks. The south wall is probably the continuation of the scene on the west wall. In Chinese written sources, some support for this concept of the “division of the world” can be found. Accidentally discovered during Soviet times, the room was named “Hall of the Ambassadors” due to the representations of different peoples. However, many aspects of its painted program remain obscure. This study offers new ideas for better identifications of the rituals celebrated by the people on the different walls during precise moments of the year.
About the Author:
Matteo Compareti (PhD 2005) is adjunct assistant professor in Department of Near Eastern Studies, University of California-Berkeley.
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Books

Architecture et représentations dans l’Iran sassanide

Callieri, Pierfrancesco. 2014. Architecture et représentations dans l’Iran sassanide (Cahiers de Studia Iranica 50). Peeters.

This volume contains the text of the five “Ehsan and Latifeh Yarshater Distinguished Lectures on Iranian Studies”, organized by the Unité Mixte de Recherche 7528 “Mondes iranien et indien”, and delivered in 2014 at the College de France in Paris. The aim of this book is to take stock of the architectural and figurative culture of Sasanian Iran on the basis of a new comprehensive evaluation of the varied range of architectural and artistic evidence known to us, and in the light of the recent discoveries published in Iran over the last few years. Without any pretence of being exhaustive, the idea is to bring more light to bear on the utilisation of built-up areas, forms of expression and visual communication, and the mechanisms involved in artisanal production. Two chapters are dedicated to the architecture, a field in which we are far from having arrived at a general consensus, while another chapter deals with a category of artistic production closely linked to the architecture, namely stucco work. The other two chapters look into the technical-stylistic aspects of types of production so far studied mainly from the iconographic point of view: the rock reliefs and the seals.

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Books

Persian kingship and architecture

Babaie, Sussan & Talinn Grigor (eds.). 2015. Persian kingship and architecture: Strategies of power in Iran from the Achaemenids to the Pahlavis. I.B.Tauris.

Since the Shah went into exile and the Islamic Republic was established in 1979 in the wake of the Iranian Revolution, the very idea of monarchy in Iran has been contentious. Yet, as Persian Kingship and Architecture argues, the institution of kingship has historically played a pivotal role in articulating the abstract notion of ‘Iran’ since antiquity. These ideas surrounding kingship and nation have, in turn, served as a unifying cultural force despite shifting political and religious allegiances. Through analyses of palaces, mausolea, art, architectural decoration and urban design the authors show how architecture was appropriated by different rulers as an integral part of their strategies of legitimising power. They refer to a variety of examples, from the monuments of Persepolis under the Achamenids, the Sassanian palaces at Kish, the Safavid public squares of Isfahan, the Qajar palaces at Shiraz and to the modernisation and urban agendas of the Pahlavis. Drawing on archaeology, ancient, medieval, early and modern architectural history, both Islamic and secular, this book is indispensable for all those interested in Iranian studies and visual culture.

For the ToC and having a look into this volume see here.

About the Editors:

Sussan Babaie is Lecturer in the Arts of Iran and Islam at The Courtauld Institute of Art, University of London, UK.

Talinn Grigor is Associate Professor in the Department of Fine Arts at Brandeis University in Boston.

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Events

Yarshater Lectures at SOAS

‘In the rays of light of imperial favour’: The visual arts of early fifteenth-century Timurid Herat.

Four lectures by Professor David J. Roxburgh of the Department of History of Art and Architecture and Prince Alwaleed Bin Talal Professor of Islamic Art History, Harvard University:

  • 15 January Timurid Herat: The City as a Setting for Art and Literature
  • 16 January The Timurid-Ming Embassy of 1419-22: Art after China
  • 19 January Modelling Artistic Process: The Kitābkhāna and ΄Arzadāsht
  • 20 January Baysunghur’s Books: Codifying Form and Aesthetic Value

For more information, see the series’ SOAS webpage or the poster.

Categories
Articles

Textiles and elite tastes

Canepa, Matthew. 2014. Textiles and elite tastes between the Mediterranean, Iran and Asia at the end of antiquity. In Marie-Louise Nosch, Zhao Feng & Lotika Varadarajan (eds.), Global textile encounters (Ancient Textiles Series 20), 1–14. Oxford and Havertown, PA: Oxbow Books.

Read the article here.

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Articles

The big and beautiful women of Asia

A slightly older but important article by Llewellyn-Jones dealing with the imagery of Achaemenid period seals and gemstones:

Llewellyn-Jones, Lloyd. 2010. The big and beautiful women of Asia: Ethnic conceptions of ideal beauty in Achaemenid period seals and gemstones. In Hales, Shelley & Tamar Hodos (eds.), Material culture and social identities in the ancient world. Cambridge: CUP.

Read the article here.

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Books

Rayy: Origins and the Mongol invasion

Rante, Rocco. 2014. Rayy: from its origins to the Mongol invasion. Leiden, Boston: Brill.

This book offers a new history of the ancient city of Rayy. Based on the results of the latest excavations on the Citadel and the Shahrestan (the political and administrative nucleus of the city in all periods), the study of historical and geographical texts and on surveys carried out between 2005 and 2007 by the author and the Iranian archaeologist, Ghadir Afround, the complete occupation sequence of the city, from its foundation in the Iron Age and the Parthian reconstructions (2nd to 1st centuries BC), up to the Mongol invasions and rapid depopulation in the 13th century CE, comes to light.

For more information, see here.

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Reviews

Review: The millennial sovereign

Truschke, Audrey. 2014. Review of Afzar Moin: The millennial sovereign: Sacred kingship and sainthood in Islam. New York: Columbia University Press. International Journal of Middle East Studies 46. 809–842.

The Millennial Sovereign recovers a shared world of sacred kingship that pervaded India, Iran, and Central Asia in early modernity. A. Azfar Moin argues that a Timurid-based social dispensation produced a particular type of sovereignty in which a ruler promoted his political claims largely through embodied spiritual practices.

Read the review here.

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Books

Cosmopolitanism in the Tang dynasty

Since most of this week’s posts relate to Eastern Iranian regions, I thought I would also post this announcement for a forthcoming publication by Valenstein, who has previously published Cultural Convergence in the Northern Qi Period: A flamboyant Chinese ceramic container. The forthcoming volume was already announced in 2012, but publication seems to now be imminent:

Valenstein, Suzanne. 2014. Cosmopolitanism in the Tang dynasty: A Chinese ceramic figure of a Sogdian wine-merchant. Los Angeles: Bridge21 Publications. Distributed by Transaction Publishers in Piscataway, NJ.

Categories
Books

Intangible spirits and graven images

Congratulations to Michael Shenkar for publishing his book, which is already being endorsed by many scholars.

Shenkar, Michael. 2014. Intangible spirits and graven images: The iconography of deities in the pre-Islamic Iranian world. Leiden: Brill.

In Intangible Spirits and Graven Images, Michael Shenkar investigates the perception of ancient Iranian deities and their representation in the Iranian cults. This ground-breaking study traces the evolution of the images of these deities, analyses the origin of their iconography, and evaluates their significance. Shenkar also explores the perception of anthropomorphism and aniconism in ancient Iranian religious imagery, with reference to the material evidence and the written sources, and reassesses the value of the Avestan and Middle Persian texts that are traditionally employed to illuminate Iranian religious imagery. In doing so, this book provides important new insights into the religion and culture of ancient Iran prior to the Islamic conquest.

See here for more.