Tag: Archaeology

Cifarelli, Megan. 2018. Gender, Personal Adornment, and Costly Signaling in the Iron Age Burials of Hasanlu, Iran. In Saana Svärd and Agnes Garcia-Ventura (eds.), Studying Gender in the Ancient Near East. Winona Lake: Eisenbrauns.

This article explores the role played by personal ornaments in the performance of gender, and in the construction and differentiation of gendered identities, in the early Iron Age (Period IVb) burials at Hasanlu, a site in Northwestern Iran. A small site situated beyond the limits of the Assyrian Empire and in the path of the advancing Urartian kingdom, Hasanlu was caught in, and ultimately lost to, the currents of regional conflicts by around 800 BCE. While certainly subjected to the actions of these larger scale entities, material and visual culture of Hasanlu cannot be understood through the application of the same theoretical and methodological approaches that illuminate the artistic and cultural production of hegemonic states.
A careful analysis of the entire cemetery shows that, compared to earlier burials at the site, the artifacts and ornaments in burials dating between an earlier destruction (ca. 1050 BCE) and the catastrophic destruction (ca. 800 BCE) evidence heightened gender differentiation, an influx of artifact types from regions to the north, and the introduction of military equipment and militaristic ornaments to a range of distinct, elite burial assemblages. These new elements can be interpreted as representing an ideological shift towards militarization at the site, but I will argue that the nature of these objects and the contexts in which they are found demand a methodological approach that looks more closely at the interplay between human choices and cultural norms, in the period leading up to Hasanlu’s catastrophic destruction. The shifts in the material culture evidenced in the Period IVb burials are the record of local, dynamic, and gender specific attempts to negotiate status and identity at the site, in an era of internal unease.

Alizadeh, Karim, Sepideh Maziar & Mirrouhollah Mohammadi. 2018. The end of the Kura-Araxes culture as seen from Nadir Tepesi in Iranian Azerbaijan. American Journal of Archaeology 122(3). 463-477.

By the late fourth to early third millennium B.C.E., Kura-Araxes (Early Transcaucasian) material culture spread from the southern Caucasus throughout much of southwest Asia. The Kura-Araxes settlements declined and ultimately disappeared in almost all the regions in southwest Asia around the middle of the third millennium B.C.E. The transition to the “post–Kura-Araxes” time in the southern Caucasus is one of the most tantalizing subjects in the archaeology of the region. Despite current knowledge on the origins and spread of the Kura-Araxes culture, little is known about the end of this cultural horizon. In this field report, we argue that the Kura-Araxes culture in the western Caspian littoral plain ended abruptly and possibly violently. To demonstrate this, we review the current hypotheses about the end of the Kura-Araxes culture and use results from excavations at Nadir Tepesi in Iranian Azerbaijan.

Askari Chaverdi, Alireza . 2017. Post-Achaemenid legacy of the Persian Gulf hinterland: Systematic survey of surface remains from Tomb-e Bot, Fars, Iran. Ancient Civilizations from Scythia to Siberia 23(1). 127–150.

The archaeological site of Tomb-e Bot, located in the Mohr County of southern Fars Province, is a major settlement of Arsacid and Sasanid date. The site was selected for detailed investigation from among the 76 sites recorded by the general survey of southern Fars region to provide answers to outstanding questions on ancient Iran, in particular during the period from the Achaemenids to the Sasanids. The survey team systematically collected all visible architectural remains, including capitals with volutes and addorsed animal protomes as well as surface ceramics and attempted to draw and register the whole assemblage of finds. Documenting and analyzing the assemblage revealed that centuries after the Achaemenid demise the Persepolis artistic legacy had run on at the site in religious beliefs and among the local groups, from the Seleucid and Arsacid periods up to the rise of the Sasanids.