Bibliographia Iranica

A predominantly bibliographic blog for Iranian Studies

Author: Arash Zeini

  • New issue of the Silk Road

    The latest issue of The Silk Road features a number of articles relevant to Iranian Studies. The full journal and individual articles can be accessed online:

    The Silk Road, vol. 13, 2015.

  • Happy Holidays

    We wish all our readers happy holidays and a blessed festive season!

    May you be happy, no matter what, where and how you celebrate!

  • Cartographical thinking in late antiquity

    Judging by the publisher’s description, Scott Johnson focuses on the Christian Roman Empire and its literary languages/sources in his latest book, Literary Territories. The volume will also be of interest to scholars of Iranian Studies taking a comparative approach to literary production in late antiquity. It sounds very promising: “The authors and texts discussed in the chapters that follow took advantage of the discourse of geography at the same time that the image of the book, the codex, became a discourse of its own for debates over knowledge and authority”. The book has been published despite the publisher’s 2016 schedule.

    Johnson, Scott Fitzgerald. 2016. Literary territories: Cartographical thinking in late antiquity. Oxford University Press

    Literary Territories introduces readers to a wide range of literature from 200-900 CE in which geography is a defining principle of literary art. From accounts of Holy Land pilgrimage, to Roman mapmaking, to the systematization of Ptolemy’s scientific works, Literary Territories argues that forms of literature that were conceived and produced in very different environments and for different purposes in Late Antiquity nevertheless shared an aesthetic sensibility which treated the classical “inhabited world,” the oikoumene, as a literary metaphor for the collection and organization of knowledge. This type of “cartographical thinking” stresses the world of knowledge that is encapsulated in the literary archive. The archival aesthetic coincided with an explosion of late antique travel and Christian pilgrimage which in itself suggests important unifying themes between visual and textual conceptions of space. Indeed, by the end of Late Antiquity the geographical mode appears in nearly every type of writing in multiple Christian languages (Greek, Latin, Syriac, Armenian, and others). The diffusion of cartographical thinking throughout the real-world oikoumene, now the Christian Roman Empire, was a fundamental intellectual trajectory of Late Antiquity.

    About the author:
    Scott Fitzgerald Johnson is a Dumbarton Oaks Teaching Fellow in Byzantine Greek at Georgetown University.

  • Ancient Near Eastern Art

    This slightly older publication has just come to my attention:

    Kawami, Trudy & John Olbrantz (eds.). 2013. Source: Breath of heaven, breath of earth. Distributed by University of Washington Press for Hallie Ford Museum.

    Breath of Heaven, Breath of Earth: Ancient Near Eastern Art from American Collections encompasses the geographic regions of Mesopotamia, Syria and the Levant, and Anatolia and Iran, and explores several broad themes found in the art of the ancient Near East: gods and goddesses, men and women, and both real and supernatural animals. These art objects reveal a wealth of information about the people and cultures that produced them: their mythology, religious beliefs, concept of kingship, social structure, and daily life.

    About the authors:

    Trudy Kawami is director of research at the Arthur M. Sackler Foundation in New York.

    John Olbrantz is the Maribeth Collins Director of the Hallie Ford Museum of Art at Willamette University in Salem, Oregon.

  • Insurgency and terrorism in the Ancient Mediterranean

    Howe, Timothy & Lee Brice (eds.). 2016. Brill’s companion to insurgency and terrorism in the ancient Mediterranean (Brill’s Companions in Classical Studies). Brill.

    In Brill’s Companion to Insurgency and Terrorism in the Ancient Mediterranean, Tim Howe and Lee Brice challenge the view that these forms of conflict are specifically modern phenomena by offering an historical perspective that exposes readers to the ways insurgency movements and terror tactics were common elements of conflict in antiquity. Assembling original research on insurgency and terrorism in various regions including, the Ancient Near East, Greece, Central Asia, Persia, Egypt, Judea, and the Roman Empire, they provide a deep historical context for understanding these terms, demonstrate the usefulness of insurgency and terrorism as concepts for analysing ancient Mediterranean behavior, and point the way toward future research.

    About the authors:

    Lee L. Brice, Ph.D. (2003), UNC-Chapel Hill, is Professor of History at Western Illinois University. He has published volumes and articles/chapters on the military history of the ancient world and is series editor of Warfare in the Ancient Mediterranean World (Brill).

    Timothy Howe studied History, Classical and Archaeology at The Pennsylvania State University. PhD. 2000. He has been at St. Olaf College since 2003, where he is currently Associate Professor of History & Ancient Studies. Since 2013 he has excavated at the Hellenistic/Roman site of Antiochia ad Cragum in Southern Turkey, where he is currently Associate Field Director. Main interests include Greek and Roman agriculture and warfare, Mediterranean archaeology and Alexander the Great. He has written two monographs (Pastoral Politics: Animals, Agriculture and Society in Ancient Greece, Regina 2008 and All Things Alexander the Great, Greenwood 2016).

  • A tribute to Éric Pirart

    The second issue of the Estudios Iranios y Turanios, which was launched last year by the Sociedad de Estudios Iranios y Turanios, has been published. This issue of the journal, entitled Homenaje a Éric Pirart en su 65º aniversario, collects a number of philological discussions in honour of Éric Pirart’s 65th birthday.

    The ToC is here.

  • Arts of the Hellenized East

    Carter, Martha, Prudence Harper & Pieter Meyers (eds.). 2015. Arts of the Hellenized East: Precious metalwork and gems of the pre-Islamic era. Thames & Hudson.

    The al-Sabah Collection, Kuwait, houses one of the world’s most spectacular collections of ancient silver vessels and other objects made of precious metals. Dating from the centuries following Alexander the Great’s conquest of Iran and Bactria in the middle of the 4th century BCE up to the advent of the Islamic era, the beautiful bowls, drinking vessels, platters and other objects in this catalogue suggest that some of the best Hellenistic silverwork was not made in the Greek heartlands, but in this eastern outpost of the Seleucid empire. Martha L. Carter connects these far-flung regions from northern Greece to the Hindu Kush, tracing the common cultural threads that link their diverse geography and people. The last part of the catalogue, by Prudence O. Harper, deals with an important group of Sasanian silver vessels and gems, and some other rarities produced in the succeeding centuries for Hunnish and Turkic patrons. The catalogue is accompanied by an essay on the technology of ancient silver production by Pieter Meyers, who has performed a number of scientific tests on the objects, including a new metallurgical analysis that may help to identify their geographical origins.

  • Journal of the American Oriental Society

    The latest issue of the Journal of the American Oriental Society, Vol. 135(3), has several articles and reviews of interest to scholars of ancient Iran. We have already announced Michael Shenkar’s Rethinking Sasanian Iconoclasm in a previous post. Among the reviews three stand out for their direct relevance for Iranian Studies:

    The full JSTOR Table of Contents is available here.

  • Mani’s pictures

    Gulácsi, Zsuzsanna. 2015. Mani’s pictures: The didactic images of the Manichaeans from Sasanian Mesopotamia to Uygur Central Asia and Tang-Ming China (Nag Hammadi and Manichaean Studies 90). Brill.

    The founder of Manichaeism, Mani (216-274/277 CE), not only wrote down his teachings to prevent their adulteration, but also created a set of paintings—the Book of Pictures—to be used in the context of oral instruction. That pictorial handscroll and its later editions became canonical art for Mani’s followers for a millennium afterwards. This richly illustrated study systematically explores the artistic culture of religious instruction of the Manichaeans based on textual and artistic evidence. It discusses the doctrinal themes (soteriology, prophetology, theology, and cosmology) depicted in Mani’s canonical pictures. Moreover, it identifies 10th-century fragments of canonical picture books, as well as select didactic images adapted to other, non-canonical art objects (murals, hanging scrolls, mortuary banners, and illuminated liturgical manuscripts) in Uygur Central Asia and Tang-Ming China.

    ToC:
     
    • Part 1 – Textual Sources on Manichaean Didactic Art
    • Introduction to Part 1
    • Primary and Secondary Records in Coptic, Syriac, Greek, and Arabic Texts (3rd–10th Centuries)
    • Primary Records in Parthian and Middle Persian Texts (3rd–9th Centuries)
    • Primary, Secondary and Tertiary Records in Uygur and Chinese Texts (8th–13th Centuries)
    • Tertiary Records in Post-Manichaean Arabic, Persian, and Chagatai Texts (11th–17th Centuries)
    • Part 2 – Physical Remains of Manichaean Didactic Art
    • Introduction to Part 2
    • Format and Preservation
    • Subject Repertoire and Iconography

    Zsuzsanna Gulácsi, Ph.D. (1998, Indiana University) is a Professor of Asian Religious Art at Northern Arizona University and the author of Mediaeval Manichaean Book Art (Brill, 2005), Manichaean Art in Berlin Collections (Brepols 2001), and dozens of articles on Manichaean art.

  • On Parthian and Sasanian Empires

    OxbowSarkhosh Curtis, Vesta, Elizabeth Pendleton, Michael Alram & Touraj Daryaee (eds.). 2016. The Parthian and early Sasanian Empires: Adaptation and expansion (The British Institute of Persian Studies Archaeological Monographs Series V). Oxbow Books: Oxford.

    Although much of the primary information about the Parthian period comes from coins, there has been much new research undertaken over the past few decades into wider aspects of both the Parthian and Sasanian Empires including the Arsacid Parthians, and their material culture. Despite a change of ruling dynasty, the two empires were closely connected and cannot be regarded as totally separate entities. The continuation of Parthian influence particularly into the early Sasanian period cannot be disputed. An historic lack of detailed information arose partly through the relative lack of excavated archaeological sites dating to the Parthian period in Iran and western scholars’ lack of knowledge of recent excavations and their results that are usually published in Persian, coupled with the inevitable difficulties for academic research engendered by the recent political situation in the region. Although an attempt has been made by several scholars in the west to place this important Iranian dynasty in its proper cultural context, the traditional GrecoRoman influenced approach is still prevalent. The present volume presents 15 papers covering various aspects of Parthian and early Sasanian history, material culture, linguistics and religion which demonstrate a rich surviving heritage and provide many new insights into ideology, royal genealogy, social organisation, military tactics, linguistic developments and trading contacts.