Strootman, Rolf. 2018. Seleucid Research Bibliography 1870-2017.
A Seal Imprint from Old Nisa and the (Apollonian) Iconography of Mithra
Sinisi, Fabrizio. 2017. A seal imprint from Old Nisa and the (Apollonian) iconography of Mithra. Studia Iranica 46(1). 9–30.
A seal impression from Old Nisa / Mithradatkart bearing the image of a deity is reexamined. It is suggested that the figure is depicted in the guise of Apollo in order to portray the Zoroastrian god Mithra. Other images of Apollonian derivation are discussed to track the iconographic development of the solar traits of Mithra.
The Elamite World
Álvarez-Mon, Javier, Gian Pietro Basello & Yasmina Wicks (eds.). 2018. The Elamite World (Routledge Worlds). London: Routledge.Amongst the civilizations to participate in the dynamic processes of contact and interchange that gave rise to complex societies in the ancient Near East, Elam has remained one of the most obscure, at times languishing in the background of scholarly inquiry. In recent years, however, an increasing body of academic publications have suggested that the legacy of Elam was more considerable and long-lasting than previously estimated.
The Elamite World assembles a group of forty international scholars to contribute their expertise to the production of a solid, lavishly illustrated, English language treatment of Elamite civilization, covering topics such as its physical setting, historical development, languages and people, material culture, art, science, religion and society. Also treated are the legacy of Elam in the Persian empire and its presence in the modern world.
This comprehensive and ambitious survey seeks for Elam, hardly a household name, a noteworthy place in our shared cultural heritage. It will be both a valuable introductory text for a general audience and a definitive reference source for students and academics.
Persian Art
Carey, Moya. 2018. Persian art: Collecting the arts of Iran in the nineteenth century. London: V&A Publishing.Today the Victoria and Albert Museum holds extensive and renowned collections of Iranian art, spanning at least twelve centuries of Iran’s sophisticated cultural history. These objects range from archaeological finds to architectural salvage, from domestic furnishings and drinking vessels to design archives. Most of this diverse material was purchased in the late nineteenth century, over a few decades – roughly between 1873 and 1893 – during a specific period of contact between Victorian Britain and Qajar Iran.
This book investigates that period through four case studies, showing how architects, diplomats, dealers, collectors and craftsmen engaged with Iran’s complex visual traditions, ancient and modern.
Moya Carey is the Iran Heritage Foundation Curator for the Iranian Collections at the Victoria and Albert Museum, London.
Three Papyri Revisited
Weber, Dieter. 2018. Three Pahlavi papyri revisited. Sasanika Papyrological Studies , No. 2.Weber revisits three Pahlavi papyri from the period of Sasanian occupation of Egypt (619–628 CE).
The Parthians at the margins of the empire
In this issue of L’Histoire, entitled Les mondes d’Alix and dedicated to the graphic novel series Les voyages d’Alix, specialists of antique history explore various aspects relating to the world and time of the novels. The historian Giusto Traina writes on the Parthians.Traina, Giusto. 2018. Les Parthes aux marges de l’empire. L’Histoire 6. 66–71.
Safavid Occidentalism and Persian Painting
Habibi, Negar. 2018. ʻAli Qoli Jebādār et l’occidentalisme safavide: une étude sur les peintures dites farangi sāzi, leurs milieux et commanditaires sous Shāh Soleimān (1666-94). (Studies in Persian Cultural History 13). Leiden: Brill.In ʿAli Qoli Jebādār et l’Occidentalism safavide Negar Habibi provides a fresh account of the life and works of ʿAli Qoli Jebādār, a leading painter of the late Safavid period. By collecting several of the artist’s paintings and signatures Habibi brings to light the diversity of ʿAli Qoli Jebādār’s most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sāzi, while suggesting the use of the term “Occidentalism” for those Safavid paintings that show some exotic and alien details of the Western world.ECIS 9
The European Conference of Iranian Studies (ECIS) is one of Europe’s largest conferences in Iranian Studies. It is held every four years and organized by the Societas Iranologica Europaea (SIE).The ninth edition of the conference will be hosted by the Institute of Iranian Studies, Freie Universität Berlin, taking place from 09–13 September 2019.
The first call for papers has been issued. For more information, visit the conference website.
Iran: A Modern History
Amanat, Abbas. 2018. Iran: A modern history. Yale University Press.his history of modern Iran is not a survey in the conventional sense but an ambitious exploration of the story of a nation. It offers a revealing look at how events, people, and institutions are shaped by currents that sometimes reach back hundreds of years. The book covers the complex history of the diverse societies and economies of Iran against the background of dynastic changes, revolutions, civil wars, foreign occupation, and the rise of the Islamic Republic.
Abbas Amanat combines chronological and thematic approaches, exploring events with lasting implications for modern Iran and the world. Drawing on diverse historical scholarship and emphasizing the twentieth century, he addresses debates about Iran’s culture and politics. Political history is the driving narrative force, given impetus by Amanat’s decades of research and study. He layers the book with discussions of literature, music, and the arts; ideology and religion; economy and society; and cultural identity and heritage.
Abbas Amanat is professor of history and international studies at Yale University and director of the Yale Program in Iranian Studies at the MacMillan Center for International and Area Studies. He lives in North Haven, CT.
Shamans of Ancient Iranian Nomads
Yatsenko, Sergey. 2017. Shamans of Ancient Iranian Nomads: Artifacts and Iconography. In Gheorghiu Dragoş, Emilia Pásztor, Herman Bender, George Nash (eds.), Archaeological Approaches to Shamanism: Mind-Body, Nature, and Culture. 243-262. Cambridge Scholars publishing.
The interpretation of depictions in petroglyphs belonging to the Bronze Age in South Siberia as shamanic ones is debatable. Obviously, cultic attributes belonging to men were not removed from barrows 2 and 5 in Pazyryk. Their series can be compared with complexes (known to ethnologists) belonging to shamans of Iranian peoples. Such elements of practicing sequential shamanic rituals as divination, use of musical instruments, entering into a trance state, summoning patron spirits and their “feeding”, exorcism of evil spirits can be reconstructed.

Álvarez-Mon, Javier, Gian Pietro Basello & Yasmina Wicks (eds.). 2018.
Carey, Moya. 2018.
Weber, Dieter. 2018.
In this issue of 
The
Amanat, Abbas. 2018.