The discussions about the origin of mazdean dualism are concentrated upon the interpretation of the Gathic stanza Y30.3 which opposes two mental powers called mainiiu and usually translated by «spirit». The divergence of the understandings led to a controversy on the nature of this dualistic opposition : is it philosophical, cosmic or religious? Do these various distinctions remain relevant now we know that this stanza is not a piece of a sermon, but of a liturgical recitative?
Panelists: Touraj Daryaee, University of California, Irvine Hossein Kamaly, Columbia University Ali Mousavi, University of California, Los Angeles Parvaneh Pourshariati, New York City College of Technology (CUNY) & New York University
Moderator: Nayereh Tohidi, Professor and Director of Middle Eastern & Islamic Studies, CSUN
What is the role of the material world in shaping the tensions and paradoxes of imperial sovereignty? Scholars have long shed light on the complex processes of conquest, extraction, and colonialism under imperial rule. But imperialism has usually been cast as an exclusively human drama, one in which the world of matter does not play an active role. Lori Khatchadourian argues instead that things—from everyday objects to monumental buildings—profoundly shape social and political life under empire. Out of the archaeology of ancient Persia and the South Caucasus, Imperial Matter advances powerful new analytical approaches to the study of imperialism writ large and should be read by scholars working on empire across the humanities and social sciences.
A free ebook version of this title is available through Luminos.
About the Autor LORI KHATCHADOURIAN is Assistant Professor of Archaeology in the Department of Near Eastern Studies at Cornell University.
In Brill’s Companion to Insurgency and Terrorism in the Ancient Mediterranean, Tim Howe and Lee Brice challenge the view that these forms of conflict are specifically modern phenomena by offering an historical perspective that exposes readers to the ways insurgency movements and terror tactics were common elements of conflict in antiquity. Assembling original research on insurgency and terrorism in various regions including, the Ancient Near East, Greece, Central Asia, Persia, Egypt, Judea, and the Roman Empire, they provide a deep historical context for understanding these terms, demonstrate the usefulness of insurgency and terrorism as concepts for analysing ancient Mediterranean behavior, and point the way toward future research.
About the authors:
Lee L. Brice, Ph.D. (2003), UNC-Chapel Hill, is Professor of History at Western Illinois University. He has published volumes and articles/chapters on the military history of the ancient world and is series editor of Warfare in the Ancient Mediterranean World (Brill).
Timothy Howe studied History, Classical and Archaeology at The Pennsylvania State University. PhD. 2000. He has been at St. Olaf College since 2003, where he is currently Associate Professor of History & Ancient Studies. Since 2013 he has excavated at the Hellenistic/Roman site of Antiochia ad Cragum in Southern Turkey, where he is currently Associate Field Director. Main interests include Greek and Roman agriculture and warfare, Mediterranean archaeology and Alexander the Great. He has written two monographs (Pastoral Politics: Animals, Agriculture and Society in Ancient Greece, Regina 2008 and All Things Alexander the Great, Greenwood 2016).
The Achaemenid site of Dahan-E Gholaman lies 44 km southeast of Zabol, eastern Iran. Recovered archaeological records and evidence, including residential, public, and administrative-religious structures, indicate pre-planned and intense urbanisation. Unfortunately, the pottery from Dahan-E Gholaman has not been paid the attention it is due, even though pottery from the site has been studied. The studies show that innovation and demands on the pottery industry created local types of beakers, jars, jugs, and bowls and so on. Research on the pottery characteristics shows that the potters of this site were skilled in controlling the kiln temperature and were able to produce high quality wares, while various forms were commonly in use at the site.
The Greek name of the plague has not received a satisfactory etymological explanation so far. On the other hand, the largely accepted hypothesis that the Middle Persian noun rēm ‘dirt, impurity’ is derived from a verbal base meaning ‘defecate’ is, in fact, problematic. The present paper aims to show that MPers. rēm and Gk. λοιμός can be viewed as reflexes of a PIE stem *loi̯-mó- indicating a ‘polluted (and polluting) substance’ and that the Avestan root rai̯-, probably connected with MPers. rēm, must have had the generic meaning of ‘to dirt, to pollute’.
A while ago we posted a link about the exhibition The Eye of the Shah: Qajar Court Photography and the Persian Past. We now draw attention to the catalogue of the exhibition, which presents nearly 200 photographs and contributions by Carmen Perez Gonzalez, Bergische Universität Wuppertal; Reza Sheikh, Independent Scholar; and Judith A. Lerner, Institute for the Study of the Ancient World.
The catalogue’s essays discuss such topics as the achievements of court photographers in the service of Naser al-Din Shah, including Reza ‘Akkasbashi, ‘Abdollah Mirza Qajar, and Dust Mohammad Khan Mo’ayyer al-Mamalek, and the volume also examines the role of photography in helping Iranians document Iran’s pre-Islamic monuments during the second half of the nineteenth century.
October 22, 2015- January 17, 2016 Gallery Hours: Wednesday-Sunday 11am-6pm, Friday 11am-8pm, Closed Monday and Tuesday
The Eye of the Shah: Qajar Court Photography and the Persian Past explores a pivotal time in Iran, when the country was opening itself to the Western world. With over 150 photographic prints, a number of vintage photographic albums, and memorabilia that utilized formal portraiture of the shah, the exhibition shows how photographers—many of them engaged by Naser al-Din Shah Qajar (r. 1848-1896), the longest reigning Shah of the Qajar Dynasty (1785-1925)—sought to create a portrait of the country for both foreigners and Iranians themselves. Most of the photographs in the exhibition have never been publicly displayed.
The Eye of the Shah includes unprecedentedphotographs of life in the royal court in Tehran, such as images of the last shahs of the Qajar Dynasty, their wives and children, and court entertainers. These are complemented by photographs of iconic ancient monuments and sites, such as Persepolis and Naqsh-e Rostam, capturing Iran’s expansive and rich historical past, which further promoted Iran and Iranian culture to the West. The photographers depicted the Iran of their day through images of modernization initiatives, such as the military, the railway, and the postal system, while the daily lives of Iranian people was revealed through photographs showing shopkeepers, street vendors, and field workers. Additionally, Eye of the Shah features pieces by two modern-day Iranian photographers, Bahman Jalali (1944-2010) and Shadi Ghadirian (b. 1974), who evoke and sometimes incorporate images of photography from the Qajar Dynasty, illustrating the continuing and powerful influence that Iranian photography of 19th and early 20th century photography has in the country’s contemporary art world.