Rapp, Stephen. 2014. The Sasanian world through Georgian eyes. Farnham, Surrey: Ashgate.
Georgian literary sources for Late Antiquity are commonly held to be later productions devoid of historical value. As a result, scholarship outside the Republic of Georgia has privileged Graeco-Roman and even Armenian narratives. However, when investigated within the dual contexts of a regional literary canon and the active participation of Caucasia’s diverse peoples in the Iranian Commonwealth, early Georgian texts emerge as a rich repository of late antique attitudes and outlooks. Georgian hagiographical and historiographical compositions open a unique window onto a northern part of the Sasanian world that, while sharing striking affinities with the Iranian heartland, was home to vibrant, cosmopolitan cultures that developed along their own trajectories.
The author’s website is here.

Briant, Pierre. 2015. 
Dijkstra, Jitse & Greg Fisher (eds.). 2014. Inside and Out: Interactions between Rome and the peoples on the Arabian and Egyptian frontiers in late antiquity (Late Antique History and Religion 8). Leuven: Peeters Publishers.
Gardner, Iain, Jason BeDuhn & Paul Dilley. 2014. Mani at the court of the Persian kings. Leiden: Brill.
This is an edition of a large number of fragments of Middle Persian and Parthian Manichaean hymns in the Berlin Turfan Collection. M. Boyce in the register of her 1960 Catalogue of the Iranian Manuscripts in Manichaean script in the German Turfan Collection identified fragments of hymns ‘to the Third Messenger’ (group 44); ‘Parthian hymns written in couplets, unclassified’ (group 58) and ‘Hymns, unclassified, including poems’ (group 81). Though some of these fragments have been published in the meantime and others are very small, this yields more than 250 previously unpublished fragments, many of considerable size. The fragments are presented in diplomatic edition together with a transcription and translation into English. Since most of the hymns are abecedarian they are presented as far as possible in strophic form. An extensive introduction, notes, a complete glossary and facsimiles of joined fragments accompany the edition.