Tag: Persian

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Shāhnāma as a Mirror for Princes

Askari, Nasrin. 2016. The Medieval Reception of the Shāhnāma as a Mirror for Princes (Studies in Persian Cultural History 9) Leiden; Boston: Brill.

Nasrin Askari explores the medieval reception of Firdausī’s Shāhnāma, or Book of Kings (completed in 1010 CE) as a mirror for princes. Through her examination of a wide range of medieval sources, Askari demonstrates that Firdausī’s oeuvre was primarily understood as a book of wisdom and advice for kings and courtly elites. In order to illustrate the ways in which the Shāhnāma functions as a mirror for princes, Askari analyses the account about Ardashīr, the founder of the Sasanian dynasty, as an ideal king in the Shāhnāma. Within this context, she explains why the idea of the union of kingship and religion, a major topic in almost all medieval Persian mirrors for princes, has often been attributed to Ardashīr.

Nasrin Askari, PhD, (2012), University of Toronto, has completed a Postdoctoral Fellowship at the University of British Columbia, and will be working on her next project at the University of Oxford as a Bahari Visiting Scholar in the Persian Arts of the Book.

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Seven Epic Poems

Ghafouri, Reza. 2015. Haft Manẓūmeh-ye Ḥamāsī (Seven Epic Poems). Bīzhan Nāmeh, Kuk Kūhzād Nāmeh, Babr-e Bayān, Patyāreh, Tahmīneh Nāmeh-ye Kūtāh, Tahmīneh Nāmeh-ye Boland, and Razm Nāmeh-ye Shakāvandkūh. Tehran: Miras-e Maktoob.

The present volume is a collection of seven epic poems, including Bīzhan Nāmeh, Kuk Kūhzād Nāmeh, Dāstān-e Babr-e Bayān, Dāstān-e Patyāreh, Tahmīneh Nāmeh-ye Kūtāh, Tahmīneh Nāmeh-ye Boland, and Razm Nāmeh-ye Shakāvandkūh.

No biographical data have survived on the composers of the above poems in literary or historical sources. The late Zabihullah Safa and Jalal Khaleghi attribute the Kuk Kūhzād Nāmeh, Dāstān-e Babr-e Bayān, Dāstān-e Patyāreh and Razm Nāmeh-ye Shakāvandkūh to the 5th/6th centuries Hijrī. The Bīzhan Nāmeh was composed by ‘Atā’ī, who most probably lived in 10th century Hijrī. Linguistic features indicate that the Tahmīneh Nāmeh-ye Kūtāh and Tahmīneh Nāmeh-ye Boland could have not been composed earlier than the 9th/10th centuries Hijrī.

A Persian report on this volume is available here.

In Original:

هفت منظومۀ حماسی (بیژن‌نامه، کک کوه‌زادنامه، ببر بیان، پتیاره، تهمینه نامۀ کوتاه، تهمینه نامۀ بلند، رزم نامۀ شکاوند کوه)، تصحیح و تحقیق رضا غفوری، ۱۳۹۴، تهران: میراث مکتوب.

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Persian Literature from the Constitutional Period to Reza Shah

Seyed-Gohrab, Ali-Asghar (ed.). 2015. Literature of the early twentieth century: From the constitutional period to Reza Shah. (A History of Persian Literature XI). London: Tauris.
The eleventh volume in this groundbreaking series pays special attention to politically engaged poetry, written during a turbulent period which saw the Constitutional Revolution in Iran as well as the rise to power of Reza Shah and his attempts to implement reform. Throughout this time, poets began to turn their attention towards the country’s ordinary people, rather than concentrate on its elites.  This volume also examines the prose fiction of the period, which saw the rise of the novel and the short story. Additionally, Persian satire began to grow in importance, especially with the increased popularity of poets and novelists such as Iraj Mirza and Sadeq Hedayat. This wide-ranging volume is an invaluable companion for anyone who wants to understand how the Persian literary scene changed at the beginning of the twentieth century, reflecting the social and political contexts in which this literature was created.
About the Editor:
A.A. (Asghar) Seyed-Gohrab is associate professor of Persian and Iranian Studies at Leiden University.
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A new etymological dictionary of Persian language

HassandoustHassandust, Mohammad. 2015. The etymological dictionary of Persian. 5 Vols. Tehran: Academy of Persian Language and Literature.

The Etymological Dictionary of Persian is the most comprehensive and up-to-date work in the field of Classical and Modern New Persian historical lexicology and etymology. Since the publication of P. Horn’s Grundriss der neupersischen Etymologie (1893) and H. Hübschman’s Persische Studien (1895), enormous progress has been made in the field, and many etymologies have been revised or proposed. This new etymological dictionary, with more than 5500 entries, covers the entire principal vocabulary of Persian lexicon of both Iranian and non-Iranian origin, as well as the inherited lexicon of Persian and synthesizes the achievements of Iranian, and Indo-European, comparative linguistics over the last century. It covers also the vocabularies from diffrent sources of the Persian language attested in Classical poetry, historical narratives, mediaeval Farhangs “dictionaries”, as well as the vocabularies from modern urban and daily vernaculars.

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From Old to New Persian

Utas, Bo. 2013. From Old to New Persian: Collected essays (Beiträge Zur Iranistik 38). Edited by Carina Jahani & Mehrdad Fallahzadeh. Wiesbaden: Dr. Ludwig Reichert Verlag.

In a long series of essays, written during almost half a century, Bo Utas analyses the development of West Iranian languages, particularly Old, Middle, and New Persian, from various perspectives. The focus is placed on the transition from Middle to New Persian and the final essays (hitherto partly unpublished) especially elucidate this process in the light of an interaction between oral and written language.
This book is the second volume of collected articles by Bo Utas. The first volume, Manuscript, Text and Literature. Collected Essays on Middle and New Persian Texts, was published on the occasion of his 70th birthday as no. 29 in the series Beiträge zur Iranistik in 2008.
The seventeen articles in the present volume cover a time span of about 2,500 years and encompass all the stages of Persian. It also contains two entirely new articles, “The Grammatical Transition from Middle to New Persian” and “Between Spoken and Written: The Formation of New Persian”, which sum up much of Bo Utas’ philological research.

For more information, see the preface to this volume and the ToC.

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A reader in Modern Persian

Delshad, Farshid. 2015. Textbuch modernes Persisch. Wiesbaden: Reichert Verlag.

The Textbook Modern Persian contains thirty selected readings about contemporary Iran from various disciplinary perspectives including: literature, philosophy, theology, mysticism, society, politics, history, geography, sports, cuisine, mythology and computational linguistics. Each chapter of the book includes an introduction to the topic, a rating of the complexity of the text (from A2 to C2 according to the Common European Framework of Reference for Languages), the philological acquisition of lexical fields within the chapter, and a selected bibliography of additional material on the subject matter. The text also includes a concise trilingual glossary (Persian-German-English), a conjugation sample, a detailed list of all common infinitives in Modern Persian, and English abstracts for each of the thirty textbook units. This book is ideal for students taking Persian language courses, as well as for anyone interested in contemporary Persian language, literature and culture.

For more information read the preface to this volume and a sample chapter as well as see the ToC.
About the author:
Farshid Delshad received his PhD in Historical Comparative Linguistics from the German University of Friedrich-Schiller. He is currently working in Germany and in the United States as an associate scholar for Languages and Cultures of the Muslim World.

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Studies on classical Persian poetry

Bürgel, Johann Christoph. 2013. Nachtigallen an Gottes Thron: Studien zur persischen Dichtung. Edited by Mehr Ali Newid and Peter-Arnold Mumm. Wiesbaden: Reichert.
To date, only a few pioneers have made classical Persian poetry and philosophy accessible to the occidental eye. During the 17th and 18th centuries, influential travellers brought goods, travelogues and translations back from Persia. Around 1800, enthusiasm for the oriental brought about more translations as well as more systematic research. In 1812, Joseph v. Hammer(-Purgstall) translated the Dīvān of Ḥāfeẓ. It is with him that Friedrich Rückert studied Persian and went on to set new standards in oriental philology and translation. Despite the tremendous contributions of the chairs in Iranian Studies which were subsequently founded in Europe, the wealth of Persian literature has hardly been exhausted.

Johann Christoph Bürgel was born in Silesia in 1931, received his doctorate in Göttingen in 1960 and was director of the Institute of Islamic Studies in Bern from 1970 to 1995. With his research method, characterised by scientific accuracy and a creative gift for language, he continued the tradition of Rückert and laid cornerstones for today’s Iranian Studies. He received numerous awards for his research as well as his translations.

This volume combines selected papers by distinguished orientalists from 1978 to 2008, dealing with Neẓāmī, ʿAṭṭār, Ḥāfeẓ, Rūmī, Sanāʾī and other Persian mystics and poets, as well as their European reception.

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The Kurdish Šāhnāma

Chaman Ara, Behrooz. The Kurdish Šāhnāma and Its Literary and Religious Implications. CreateSpace Independent Publishing Platform, 2015.

The Kurdish Shanama and its Literary and Religious Implications, as the result of a long-time fieldwork in the cultural spans of Zagros, focuses on the newly survived epic-heroic narratives known as Razm-nama, Jang-nama or Shanama. In this work, author draws attention to the existence of an unexpectedly rich epic-heroic tradition in literary Gurani (a composite idiom used in the Zagros regions) and strongly suggest that this tradition is largely independent of the Ferdowsi’s Shahnama but has many common features with other works of the Sistani cycle of epics and the Persian Naqqali tradition. This work addresses the structural and contextual similarities and differences between this tradition and its counterparts in Persian literature, and subsequently proposes a new understanding of the term Shahnama and the term Xwadaynamag. In this work, Chaman Ara, challenges the common understandings of the concept of Gurani, and presents analysis and descriptions of some linguistic features of the theory of Gurani literary language.
See here for the ToC and the Preface to this volume.
Behrooz Chaman Ara received his PhD in 2014 from the Institute of Iranian Studies of the Georg-August University of Göttingen. His research focuses on the Kurdish languages, literature and cultures.
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Wine culture in Iran and neighbouring countries

Fragner, Bert G., Ralph Kauz & Florian Schwarz (eds.). 2014. Wine culture in Iran and beyond (Sitzungsberichte der phil.-hist. Klasse. Veröffentlichungen zur Iranistik 75). Verlag der Österreichischen Akademie der Wissenschaften.
Starting from important new archaeological findings and insights that have led to a rethinking of the history of viticulture in Iran and its wider Asian context, this volume explores various aspects of the cultural, social and political significance of grape wine in the Iranian cultural sphere. It assembles specialized studies and interpretative essays ranging from the question of the origins of viticulture and winemaking and the trade of wine between the Iranian plateau and China to viticulture and wine consumption in 20th-century Kafiristan, from the place of intoxicating beverages in hadith to the nature and function of wine in classical Persian poetry and Iranian architecture, from the ambiguities of alcohol in pre-modern Persia to the challenges of modernity and colonial encounters.
Table of Contents (ToC):

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The Humorous in Arabic, Persian, and Turkish Narrative

Brookshaw, Dominic Parviz, ed. Ruse and Wit: The Humorous in Arabic, Persian, and Turkish Narrative. Ilex Foundation Series 8. Boston, Mass: Ilex Foundation ; Center for Hellenic Studies, 2012.
The essays in Ruse and Wit examine in detail a wide range of texts (from nonsensical prose, to ribald poetry, titillating anecdotes, edifying plays, and journalistic satire) that span the best part of a millennium of humorous and satirical writing in the Islamic world, from classical Arabic to medieval and modern Persian, and Ottoman Turkish (and by extension Modern Greek). While acknowledging significant elements of continuity in the humorous across distinct languages, divergent time periods, and disparate geographical regions, the authors have not shied away from the particular and the specific. When viewed collectively, the findings presented in the essays collected here underscore the belief that humor as evidenced in Arabic, Persian, and Turkish narrative is a culturally modulated phenomenon, one that demands to be examined with reference to its historical framework and one that, in turn, communicates as much about those who produced humor as it does about those who enjoyed it.
Table of Contents
– Introduction / Dominic Parviz Brookshaw
– Amphigory and other nonsense in classical Arabic literature / Geert Jan van Gelder
– Persian Humor in the International Context / Ulrich Marzolph
– Have you heard the one about the man from Qazvin? Regionalist humor in the works of Ubayd-i Zakani / Dominic Parviz Brookshaw
– Bawdy anecdotes in religious settings: examples from medieval Persian literature / Olga M. Davidson
– Playful figures of script in Persian and Chinese / Paul Sprachman
– Despots of the world unite! satire in the iranian constitutional press: the Majalla-yi istibdad, 1907-1908 / Ali Gheissari
– Humor for in-betweeners: Sadiq Hidayat’s myth of creation as a cross-cultural phenomenon / Marta Simidchieva
– Ottoman Karagöz and Greek shadow theater: communicational shifts and variants in a multi-ethnic and ethnic context / Anna Stavrakopoulou.

 

About the Editor:

Dominic Parviz Brookshaw is Associate Professor of Persian Literature and Senior Research Fellow in Persian at Wadham College. Among his recent publications see:

“Mytho-Political Remakings of Ferdowsi’s Jamshid in the Lyric Poetry of Injuid and Mozaffarid Shiraz,” Iranian Studies, 48:3 (2015), 463-487.