Persepolis: Discovery and Afterlife of a World Wonder presents the first full study of the history of archaeological exploration at Persepolis after its destruction in 330 BC. Based in part on archival evidence, anecdotal information, and unpublished documents, this book describes in detail the history of archaeological exploration, visual documentation, and excavations at one of the most celebrated sites of the ancient world. The book addresses a broad audience of readers ranging from students of the archaeology, history, and art history of ancient, medieval, and modern Iran to scholars in Classical Studies and Ancient Near Eastern Studies.
The purpose of the conference is to assess the significance of tafsir (Muslim interpretations of the Qur’an) in western translations of the Qur’an from the Middle Ages to the late nineteenth century. The speakers will discuss which tafsir were used, how they were treated, and how they affected western knowledge of Islam.
Among the recently digitised Persian manuscripts of the British Library is the manuscript BL Add. 7735, an illustrated copy of Farīd al-Dīn ‘Aṭṭār’s Manṭiq al-ṭayr ‘The Speech of the Birds’. The Asian and African studies blog of the British Library discusses this manuscript and the Manṭiq al-ṭayr in a multi-part blog, featuring superb miniatures.
Shenkar, Michael. 2013. A goddess or a queen? On the interpretation of the female figure on the relief of Narseh at Naqš-e Rostam (in Russian). In Scripta Antiqua, vol. 3: Edward Rtveladze felicitation volume. Moscow.
The article offers a reassessment of the identity of the female figure found on the relief of the Sasanian king Narseh at Naqš-e Rostam. Based on iconographic analysis of the relief and discussion of the arguments put forward by A. Sh. Shahbazi and U. Weber, it is concluded that the figure is not a queen but rather a goddess. She is most probably to be identified with the goddess Anāhitā, to whom Narseh was perhaps personally devoted. This discussion is followed by a critical examination of the pictorial representations of Anāhitā in the pre-Islamic Iranian world. It is emphasized that Anāhitā was a western Iranian goddess whose worship was probably imported to Bactria after this part of the eastern Iranian world came under the rule of the Sasanian kings.
As part of our group’s ongoing engagement with the Yasna, I will be leading a one day workshop on TEI and oXygen. This is an internal meeting with the aim of introducing the participants of the Yasna project to the ideas behind encoding texts and exploring features offered by the oXygen XML editor.
I found Prof. Macuch’s lecture at the FAMES, entitled Kinship Ties and Fictive Alliances in Sasanian Law, very engaging. The lecture was in two parts. First, she gave an overview of the Sasanian interpretation of kinship and discussed wealth, property management and inheritance. In the clearly structured introduction she defined the various models of matrimony such as fully qualified marriage, proxy, temporary and fictive marriages and their purposes. In the shorter second part she interpreted the social purpose of these legal institutions. She argued that the complex Sasanian legal system was carried by the Zoroastrian clergy and served to protect the elites’ wealth, preventing it from passing to commoners. In her view, the protection of wealth in this manner resulted in a two class society with a severe imbalance of wealth. She closed her lecture with the suggestion that this imbalance of wealth may have contributed to the collapse of the Sasanian Empire in the wake of the Islamic conquests.
The study of Zoroastrianism is nothing new to the School of Oriental and African Studies (SOAS), University of London. A number of formative figures in Iranian Studies have taught at SOAS: W. Henning, M. Boyce, D. N. MacKenzie, J. Hinnells, N. Sims-Williams, F. de Blois. And it houses the only endowed chair in Zoroastrian studies (A. Hintze). The Brunei Gallery at SOAS has been the home of ‘The Everlasting Flame‘ for the past three months, which is even by the standards of SOAS a unique event. See my interview with Sarah Stewart.