Carey, Moya. 2018. Persian art: Collecting the arts of Iran in the nineteenth century. London: V&A Publishing.
Today the Victoria and Albert Museum holds extensive and renowned collections of Iranian art, spanning at least twelve centuries of Iran’s sophisticated cultural history. These objects range from archaeological finds to architectural salvage, from domestic furnishings and drinking vessels to design archives. Most of this diverse material was purchased in the late nineteenth century, over a few decades – roughly between 1873 and 1893 – during a specific period of contact between Victorian Britain and Qajar Iran.
This book investigates that period through four case studies, showing how architects, diplomats, dealers, collectors and craftsmen engaged with Iran’s complex visual traditions, ancient and modern.
Moya Carey is the Iran Heritage Foundation Curator for the Iranian Collections at the Victoria and Albert Museum, London.
Yatsenko, Sergey. 2017. Shamans of Ancient Iranian Nomads: Artifacts and Iconography. In Gheorghiu Dragoş, Emilia Pásztor, Herman Bender, George Nash (eds.), Archaeological Approaches to Shamanism: Mind-Body, Nature, and Culture. 243-262. Cambridge Scholars publishing.
The interpretation of depictions in petroglyphs belonging to the Bronze Age in South Siberia as shamanic ones is debatable. Obviously, cultic attributes belonging to men were not removed from barrows 2 and 5 in Pazyryk. Their series can be compared with complexes (known to ethnologists) belonging to shamans of Iranian peoples. Such elements of practicing sequential shamanic rituals as divination, use of musical instruments, entering into a trance state, summoning patron spirits and their “feeding”, exorcism of evil spirits can be reconstructed.
Alvarez-Mon, Javier. 2017. The Elamite Royal Orchestra from Madaktu (653 BC). Elamica 7: 1-34.
Contents: §1. Prelude; §2. The Royal Elamite Orchestra from Madaktu; §2.1. Instruments: horizontal harps, angular harps, double pipes, a drum, hand clapping and singing; §2.2. People: Musicians and Singers; §3. Allegro ma non troppo: Madaktu 653 BC, the Royal Orchestra in Historical Context. §4. From Madaktu to Assyria: Cacophonies at the Heartland of the Empire; §4.1. The Assyrian Royal Orchestras from Nineveh (Room S1); §4.2. Foreign Orchestras in Assyria; §5. Requiem 612 BC: Royal Orchestras and the Fall of Nineveh.
Askari Chaverdi, Alireza & Pierfrancesco Callieri. 2017. Persepolis West (Fars, Iran): Report on the field work carried out by the Iranian-Italian Joint Archaeological Mission in 2008–2009 (British Archaeological Reports International Series 2870). BAR Publishing.
This book represents the final report on the field work carried out in 2008 and 2009 by the Iranian-Italian Joint Archaeological Mission at the archaeological site of Persepolis West, where parts of the town adjacent to the well-known Achaemenid monumental terrace of Persepolis have been located. The eleven trial trenches excavated in areas indicated by the results of Iranian and Iranian-French geophysical surveys represent the first stratigraphic excavations ever carried out on this site, the dating of which is supported by a rich series of radiocarbon datings. Illustration of the excavations is preceded by an accurate geophysical study of the topographical context and accompanied by a detailed and richly illustrated analysis of pottery and other finds: the safe stratigraphic context makes these finds a particularly important source of evidence for our knowledge of the ceramics of Fars during the historic pre-Islamic age. The excavations largely confirm the location of the built-up area of Parsa indicated by geophysical surveys.
Maksymiuk, Katarzyna & Gholamreza Karamian (eds.). 2017. Crowns, hats, turbans and helmets. The headgear in Iranian history. Volume I: Pre-Islamic Period. Siedlce & Tehran: Siedlce University of Natural Sciences and Humanities.
Table of contents:
- Joanna SZKLARZ: Significance of the Helmet in fight between Sohrāb and Gordāfarid
- Dan-Tudor IONESCU: The Use of the Tiara as symbol of Persian Achaemenid Kingship: why Alexander the Great didn’t adopt it?
- Svyatoslav V. SMIRNOV: Revising Seleukid Iconography: A Person Wearing Helmet and Conflict of Imageries
- Ulf JÄGER: Morion-type Helmets of Gandhāra. A rare Kušān-period helmet-type of the 1st to the 3rd / 4th century CE – A very first preliminary attempt
- Mariusz MIELCZAREK: Arms and Armour on Kušān coins. Royal images
- Patryk SKUPNIEWICZ, Marcin LICHOTA: Diadem on the head from Khalchayan battle scene and possible reconstruction of the composition
- Katarzyna MAKSYMIUK: Ram’s Horns as a Religious Element of Sasanian Kings’ Military Equipment (notes to Amm. Marc. XIX.1.3)
- Gholamreza KARAMIAN, Kaveh FARROKH, Adam KUBIK, Mandana TAHERI OSHTERINANI: An Examination of Parthian and Sasanian Military Helmets (2nd century BC-7th century CE)
- Ilkka SYVÄNNE: A Note on the Methodology regarding the Reconstruction of the Late Roman Helmets in Art, Archaeology and Analysis
- Marta CZERWIENIEC-IVASYK: Helmet or a crown? – A few comments on the margin of the Sasanian coins discovered in the Baltic Sea area
- Adam KUBIK: Sasanian lamellar helmets
- Patryk SKUPNIEWICZ: On the Helmet on the Capital at Ṭāq-e Bostān again
- David NICOLLE: One-piece Sasanian and Early Islamic Helmets
- Sergei Yu. KAINOV: The Helmet from Krasnodar Territory
Avetisyan, Pavel & Yervand Grekyan (eds.). 2017. Bridging Times and Spaces. Papers in Ancient Near Eastern, Mediterranean and Armenian Studies Honouring Gregory E. Areshian on the occasion of his sixty-fifth birthday. Oxford: Archaeopress.
Bridging Times and Spaces is composed of papers written by colleagues of Professor Gregory E. Areshian on the occasion his 65th birthday reflecting the breadth and diversity of his scholarly contributions. The range of presented papers covers topics in Near Eastern, Mediterranean and Armenian archaeology, theory of interpretation in archaeology and art history, interdisciplinary history, historical linguistics, art history, and comparative mythology. The volume opens with an extensive interview given by Gregory Areshian, in which Gregory outlines the pathways of his academic career, archaeological discoveries, different intellectual quests, and the organic connections between research questions that he explored across different social sciences and the humanities, stressing the importance of periodizations in interdisciplinary history as well as his views on holism and interdisciplinary studies.
The table of contents is available here. Four papers are related directly to Iranian Studies:
- Touraj Daryaee: A Note on the ‘Great King of Armenia’
- Michael Herles: Achaemenids and the Southern Caucasus
- Ernst Stephan Kroll: Fortified Kura Arax Settlements in North-Western Iran
- David Stronach: Notes on the Representation of the Face of Cyrus the Great
Mongiatti, Anudu, Neegel Meeks & John Simpson. 2017. A gold four-horse model chariot from the Oxus Treasure in the British Museum, Bulletin of the National Museum of Tajikistan 2, 105-123.
The Oxus Treasure is one of the greatest collections of Achaemenid-period precious metal to survive. It was bequeathed to the British Museum by A. W. Franks in 1897 and been on almost continuous display at the Briti sh Museum since 1900/1901. It was catalogued by Dalton and the first edition published in 1905, and the collection contjnues to attract scholarly attention as well as public interest. In recent years a number of scientific analyses have been carried out on areas of this collection in order to better understand the composition and details of working on particular classes or individual objects. This paper outlines the results of the first scientific study of the outstanding gold model of a four-horse chariot, complete with its driver and passenger. Microscopic examination, X-radiography and scanning electron microscopy combined with energy dispersive X-ray analysis have revealed undocumented evidence for the skill of the Persian goldsmith in creating an intricate artefact produced using a variety of techniques, such as repoussé and chasing on gold sheets, granulation, wire twisting and hammering.
The second issue of Iran 55 (2017) has been published:
- Benjamin Mutin, Hossein Moradi, Hossein Sarhaddi-Dadian, Hassan Fazeli Nashli & Mojtaba Soltani: New Discoveries in the Bampur Valley (South-Eastern Iran) and Their Implications for the Understanding of Settlement Pattern in the Indo-Iranian Borderlands During the Chalcolithic Period
- Alireza Khosrowzadeh, Abolfazl Aali & Lloyd Weeks: Newly Discovered Bronze Age Archaeological Sites on Qeshm Island, Iran
- Nazarij Buławka: The Yaz I–III Settlement Pattern in the Serakhs Oasis, Southern Turkmenistan
- Sheler Amelirad, Abdolreza Mohajerynezhad & Masoume Javidkhah: A Report on the Excavation at the Mala Mcha Graveyard, Kurdistan, Iran
- Michele Minardi, Alison V. G. Betts & Gairatdin Khozhaniyazov: Columned Halls in Ancient Chorasmia
- Sajjad Alibaigi, Alireza Moradi Bisotuni, Fereshteh Rahimi, Shokouh Khosravi & Hossein Alibaigi: The Late Sasanian Treasury of Qouri Qaleh Cave: Votive Offerings for a Mithra Temple in Kermanshah, Western Iran
- Meysam Labbaf-Khaniki: Excavations at Bazeh-Hur in North-Eastern Iran: A Preliminary Report
Mozaffari, Ali. 2017. “Picturing Pasargadae: Visual Representation and the Ambiguities of Heritage in Iran“, Iranian Studies 50(4), 601-634.
This paper probes the relationship between visual representations and visitation practices at Pasargadae, a UNESCO World Heritage site in southern Iran. Presenting a systematic analysis of publicly available online images of Pasargadae, the paper examines the complex relationship between the place and its visual representations. Through analysis, the paper elaborates on a sense of intimacy that, while grounding Pasargadae, is also a potential common ground in pre-Islamic heritage in which the Iranian state and society could at once meet and contest versions of identity. Examining this relationship facilitates reflections into both heritage and the peculiarities of its visual representation in the Iranian context.