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Persianate Art, Culture, and Talent in Circulation

Overton, Keelan (ed.). 2020. Iran and the Deccan: Persianate art, culture, and talent in circulation, 1400-1700. Bloomington, Indiana: Indiana University Press.

In the early 1400s, Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad.

Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three-hundred-year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.

Contents

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Archaeology of Iran in the Historical Period

Niknami, Kamal-Aldin & Ali Hojabri (eds.). 2020. Archaeology of Iran in the historical period. Springer.

This collection of twenty-eight essays presents an up-to-date survey of pre-Islamic Iran, from the earliest dynasty of Elam to the end of Sasanian empire, encompassing a rich diversity of peoples and cultures. Historically, Iran served as a bridge between the earlier Near Eastern cultures and the later classical world of the Mediterranean, and had a profound influence on political, military, economic, and cultural aspects of the ancient world. Written by international scholars and drawing mainly on the field of practical archaeology, which traditionally has shared little in the way of theories and methods, the book provides crucial pieces to the puzzle of the national identity of Iranian cultures from a historical perspective.

Revealing the wealth and splendor of ancient Iranian society – its rich archaeological data and sophisticated artistic craftsmanship – most of which has never before been presented outside of Iran, this beautifully illustrated book presents a range of studies addressing specific aspects of Iranian archaeology to show why the artistic masterpieces of ancient Iranians rank among the finest ever produced. Together, the authors analyze how archaeology can inform us about our cultural past, and what remains to still be discovered in this important region.

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Die Entstehung des Münzporträts in der griechisch-persischen Tradition

Müseler, Wilhelm. 2020. Vom Symbol zum Ebenbild: Die Entstehung des Münzporträts in der griechisch-persischen Tradition. Gephyra 19, 69-99.

Die Darstellung von Menschen mit deutlich wiedererkennbaren individuellen Zügen auf Mün-zen entwickelte sich im Grenzbereich zwischen dem griechischen und dem persischen Kultur-raum als Folge von komplexer gewordenen politischen Machtstrukturen vor Ort. Wo zu-nächst das Symbol einer politischen Körperschaft oder die Abbildung einer lediglich mit den Attributen königlicher Herrschaft ausgestatteten Figur ohne irgendwelche weiteren persönli-chen Merkmale genügt hatte, um die Garantie für die Wertigkeit des Geldes durch eine über-geordnete Autorität zu unterstreichen, machte die zunehmende Produktion von Münzen durch Akteure auf untergeordneten hierarchischen Ebenen, welche als Vermittler, bisweilen aber auch als Konkurrenten einer gegebenen Herrschaftsstruktur auftreten konnten, eine im-mer differenziertere Kennzeichnung der Verantwortlichkeit für die Prägungen und des damit ausgedrückten Machtanspruches notwendig. Es ist kein Zufall, dass ausgerechnet Lykien mit seiner eher peripheren Lage und seiner Vielzahl an kleinen, von konkurrierenden dynastischen Clans kontrollierten Machtzentren auf engstem Raum, die ersten echten Ansätze zu einer indi-viduellen Gestaltung des Herrscherbildnisses auf Münzen hervorgebracht hat. Mit der Auflö-sung der überkommenen politischen Strukturen in Kleinasien und im ganzen Vorderen Orient in der Folge des Feldzuges Alexanders des Grossen kam es zu weiträumigen geopolitischen Veränderungen und einer erheblichen Zunahme von regionalen Machtblöcken, die alle über eine eigene Münzproduktion verfügten und die sich ihre Einflussbereiche gegenseitig streitig machten. Da es in der Folge vor allem darum ging, dass die verschiedenen Prägeherren mit ihrem Geld auch von schriftunkundigen Nutzern klar voneinander unterschieden werden konnten, führte dies, namentlich bei den ptolemaischen und den seleukidischen Geprägen, zu einer verstärkten Individualisierung der Herrscherbildnisse auf den Münzen. Nur in abgelege-nen Regionen wie der Persis, wo es so gut wie keinen stetigen Zustrom und Umlauf von kon-kurrierenden Währungen gab, erfüllten nur symbolische Porträts der Regenten noch eine Zeit lang ihren ursprünglichen Zweck.

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Rome, Parthia, and the Politics of Peace

Schlude, Jason M. 2020. Rome, Parthia, and the politics of peace: The origins of war in the ancient Middle East. London: Routledge.

This volume offers an informed survey of the problematic relationship between the ancient empires of Rome and Parthia from c. 96/95 BCE to 224 CE. Schlude explores the rhythms of this relationship and invites its readers to reconsider the past and our relationship with it.

Some have looked to this confrontation to help explain the roots of the long-lived conflict between the West and the Middle East. It is a reading symptomatic of most scholarship on the subject, which emphasizes fundamental incompatibility and bellicosity in Roman–Parthian relations. Rather than focusing on the relationship as a series of conflicts, Rome, Parthia, and the Politics of Peace responds to this common misconception by highlighting instead the more cooperative elements in the relationship and shows how a reconciliation of these two perspectives is possible. There was, in fact, a cyclical pattern in the Roman–Parthian interaction, where a reality of peace and collaboration became overshadowed by images of aggressive posturing projected by powerful Roman statesmen and emperors for a domestic population conditioned to expect conflict. The result was the eventual realization of these images by later Roman opportunists who, unsatisfied with imagined war, sought active conflict with Parthia.

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The Parsi community of India and the making of modern Iran

Marashi, Afshin. 2020. Exile and the nation: the Parsi community of India and the making of modern Iran. Austin: University of Texas Press.

In the aftermath of the seventh-century Islamic conquest of Iran, Zoroastrians departed for India. Known as the Parsis, they slowly lost contact with their ancestral land until the nineteenth century, when steam-powered sea travel, the increased circulation of Zoroastrian-themed books, and the philanthropic efforts of Parsi benefactors sparked a new era of interaction between the two groups.

Tracing the cultural and intellectual exchange between Iranian nationalists and the Parsi community during the late nineteenth and early twentieth centuries, Exile and the Nation shows how this interchange led to the collective reimagining of Parsi and Iranian national identity—and the influence of antiquity on modern Iranian nationalism, which previously rested solely on European forms of thought. Iranian nationalism, Afshin Marashi argues, was also the byproduct of the complex history resulting from the demise of the early modern Persianate cultural system, as well as one of the many cultural heterodoxies produced within the Indian Ocean world. Crossing the boundaries of numerous fields of study, this book reframes Iranian nationalism within the context of the connected, transnational, and global history of the modern era.

Contents:

  • Note on Transliteration and Dates
  • Acknowledgments
  • Introduction
  • Chapter 1. To Bombay and Back: Arbab Kaykhosrow Shahrokh and the Reinvention of Iranian Zoroastrianism
  • Chapter 2. Patron and Patriot: Dinshah J. Irani, Parsi Philanthropy, and the Revival of Indo-Iranian Culture
  • Chapter 3. Imagining Hafez: Rabindranath Tagore in Iran, 1932
  • Chapter 4. Ebrahim Purdavud and His Interlocutors: Parsi Patronage and the Making of the Vernacular Avesta
  • Chapter 5. Sword of Freedom: Abdulrahman Saif Azad and Interwar Iranian Nationalism
  • Conclusion
  • Notes
  • Bibliography
  • Index
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From Albania to Arrān

Hoyland, Robert (ed.). 2020. From Albania to Arrān: The East Caucasus between the ancient and Islamic worlds (ca. 330 BCE–1000 CE) (Gorgias Studies in Classical and Late Antiquity 25). Georgia Press.

This volume is the first publication in English to discuss the nature and identity of the polity in the East Caucasus referred to by modern scholars as (Caucasian) Albania. The sporadic and fragmentary character of our sources for this polity means that it is difficult to construct a continuous narrative of its history, and so we offer here studies by leading specialists on particular aspects of it: geographical extent, religious and political machinations, material culture, interactions with neighboring states and key historical developments.

A number of contributions in this volume relate to Iran, which is why we announce the book rather than single articles.
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Religious traditions of the Yaresan

Kreyenbroek, Philip G & Yiannis Kanakis. 2020. “God first and last”: Religious traditions and music of the Yaresan of Guran. Volume 1. Religious traditions (Iranica, GOF III/NF 18,1). Wiesbaden: Harrassowitz Verlag.

The Yaresan or Ahl-e Haqq are a relatively large minority group whose religion originates in the border regions between Iran and Iraq. As members of traditional Yaresan communities are becoming more visible in the West, both as diaspora groups and in academia, there is an increasing demand for reliable information about their background. Academic interest is also growing. Recent scholarly publications, however, tend to assume a fundamental knowledge of the Yaresan tradition, which is not easy to glean from existing sources. This is made more complicated by the very real differences between the European world view and that of traditional Yarsanism.
For that reason and because music plays an unusually prominent role in Yaresan observance, it was decided to combine the authors’ work on religious traditions and music respectively in two volumes. In doing so the religious realities of the traditional Yaresan of the Guran region is communicated by quoting extensively from interviews with community members. The first volume also offers a survey of other religious traditions that are thought to have been influential in shaping modern Yarsanism.

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Studies on Sasanian Persia

Daryaee, Touraj & Matteo Compareti (eds.). 2019. Studi sulla Persia sasanide e suoi rapporti con le civiltà attigue (Studia Persica 1) [Studies on Sasanian Persia and its relations with neighboring civilizations]. Bologna: Paolo Emilio Persiani.

Studi sulla Persia sasanide – La dinastia dei Sasanidi (224-651 CE) rappresenta a detta di molti studiosi una sorta di “età dell’oro” dell’arte e della civiltà persiana. Nonostante un corposa mole di informazioni su questo popolo si sia conservata grazie all’opera di autori greci e latini a loro contemporanei – nonché successivamente da arabi e persiani – poco resta nelle fonti dirette, rappresentate principalmente da qualche iscrizione ufficiale fatta incidere su pietra dalla numismatica e dalla glittica. Questo volume, nato dagli interventi dei massimi studiosi e conoscitori dell’ambito, raccoglie dieci saggi tratti da due convegni svoltisi in Italia e negli Stati Uniti tra il 2010 e il 2017. In particolare, vengono qui discussi vari aspetti del piano politico, sociale e religioso dell’impero sasanide e delle civiltà ad esso attigue, con lo scopo di far rivivere un’epoca molto feconda per la cultura e l’arte persiana, attribuendo un particolare rilievo a quelle che sono le testimonianze conservate nei testi scritti e nelle opere d’arte figurativa.

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namāz

Albino, Marcos. 2019. Mittelpersisch namāz ,Ehrerweisung‘. Münchener Studien zur Sprachwissenschaft 73(1). 7–15.

The word namāz “reverence” is first attested in Manichaean Middle Persian and Parthian (namāž). It is survived in New Persian namāz originally denotes a respectful adressing to a socially superior person or to God.

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Erotic Persian

Sprachman, Paul. 2020. Erotic Persian (Bibliotheca Iranica: Literature Series 15). Costa Mesa: Mazda Publishers.

According to the content description (see below), this book contains a facsimile of "Alfiyeh va Shalfiyeh".

This book is a general survey of language and images that arouse sexual desire. The book begins by examining the works of the great Persian poets and prose authors who avoid direct mention of bodily functions and use imagery borrowed from nature and food when describing the charms of lovers and human sexual activity. The examination shows how erotic imagery, at one time innovative, hardened into clichés over centuries of repeated use. The book’s focus on the semantics of allusive Persian also leads to a general notion of what makes one poem or piece of prose sexually stimulating and another inspirational. Here “Erotic Persian” joins an ongoing controversy: namely, to what extent are some of the works of great Sufi authors like Rumi, Sa`di, Hafez, etc. erotic? Dealing with both the pleasures of the flesh and the spirit? The book asks: Can certain works be at once carnal and spiritual? The prevailing view frowns on such interpretations, insisting great authors never wrote solely to arouse readers’ desires. If erotic material found its way into the canon, many assert, it was there merely to divert the reader’s or listener’s attention away from the everyday and direct it toward spiritual truths.