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Middle Persian Papyri, Ostraca and Parchments: An Introduction

Zeini, Arash. 2018. Middle Persian papyri, ostraca and parchments: An introduction. Sasanika Papyrological Studies , No. 1.

This essay discusses the state of Middle Persian papyrological, ostraca and parchments studies since its beginning to the present. Dr. Zeini presents a history of the discovery of the Sasanian papyri from Egypt in the nineteenth century, to the new archival finds on the Iranian Plateau which sheds light on the legal and economic history of late antique Iran.

This introductory article is the first issue in the newly launched Sasanika Papyrological Studies and will be followed by a revision of three papyri by Dieter Weber.

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Scythian Strategy or Open Pitched Battle

Kleymeonov, Alexander Anatolevich. 2017. Scythian strategy or open pitched battle: Choice of strategy by the Persian command in 334 BC. Man In India 97 (22), 219-227.

The article is devoted to the analysis of the Persian command’s plans to repel Alexander the Great’s invasion into Asia Minor. The main objective is to consider the information from the ancient sources related to Memnon of Rhodes’ proposal to apply the ” scorched earth ” tactic against the advancing Alexander’s army, to analyze this plan for feasibility and to identify the reasons for rejection of Memnon’s plan by the Persian satraps and commanders. The research was undertaken based on the principle of historism. A multi-faceted approach to the ancient narrative sources, methods of comparative historical analysis, content analysis, and the historical reconstructive method have been used. As a result, it was determined that the Persians knew well the features of the ” Scythian strategy ” and applied the ” scorched earth ” tactic both before and after Alexander’s invasion. However, Persian satraps and commanders rejected Memnon’s proposal at the council at Zeleia and adopted the open pitched battle. The reasons include numerous shortcomings and unfeasibility of Memnon’s plan, the positive sides of which were greatly exaggerated by ancient historians, who openly sympathized with Memnon of Rhodes and were critical towards the Persians.

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The Elamite Royal Orchestra from Madaktu (653 BC)

Alvarez-Mon, Javier. 2017. The Elamite Royal Orchestra from Madaktu (653 BC). Elamica 7: 1-34.

Contents: §1. Prelude; §2. The Royal Elamite Orchestra from Madaktu; §2.1. Instruments: horizontal harps, angular harps, double pipes, a drum, hand clapping and singing; §2.2. People: Musicians and Singers; §3. Allegro ma non troppo: Madaktu 653 BC, the Royal Orchestra in Historical Context. §4. From Madaktu to Assyria: Cacophonies at the Heartland of the Empire; §4.1. The Assyrian Royal Orchestras from Nineveh (Room S1); §4.2. Foreign Orchestras in Assyria; §5. Requiem 612 BC: Royal Orchestras and the Fall of Nineveh.

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First alabastron with Aramaic inscription in Persian period

Qahéri, Sépideh & Kevin Trehuedic. 2017. Premier alabastron d’époque perse à inscription araméenne (MNI 218/9). Arta 2017.002.

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The Coherence of Yasna

Zoroastrian fire ceremony.

Ahmadi, Amir. 2017. On the coherence of Yasna: A critical assessment of recent arguments. Bulletin of the School of Oriental and African Studies 1-26.
DOI

In recent years a number of scholars have proposed more or less detailed schemas of the formation of the Zoroastrian ritual. These schemas offer accounts of the arrangement of the texts in the liturgy, the process of its formation, and even its function from an endogenous perspective. One way or another, they argue that the official Zoroastrian liturgy is an integrated ritual with a coherent text, and that the function of the ritual and the intention behind the arrangement of the texts can be determined by means of philological, literary and comparative analyses. The questions of formation and meaning of the Zoroastrian liturgy these scholars have placed on the agenda are important not only for the study of Zoroastrianism but also for the history of religions and ritual theory. I consider their accounts with respect to the texts they invoke and the methods they use, and show that their arguments suffer from fatal flaws.

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Avestan Textile Terms

Andrés-Toledo, Miguel Ángel. 2017. Sasanian exegesis of Avestan textile terms. In Gaspa, Salvatore, Cécile Michel & Marie-Louise Nosch (eds.), Textile terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, 397–403. Lincoln, NE: Zea Books.

DOI

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The Administrative Division of the 13th Satrapy of Achaemenid Persia in the Reign of Darius II

Khorikyan, Hovhannes. 2017.  The Administrative Division of the 13th Satrapy of Achaemenid Persia in the Reign of Darius II. Metamorphoses of History, Scientific Almanac 10: 174-180.

The Babylonian document BE. X.107 dated by the period of Darius II contains some very important information which is connected to the administrative division of the Achaemenid Empire. Shamesh/Iltammešbarakku who was the governor of the people of Urashtu (Urartu) and Milidu, is mentioned in the document. Urashtu-Urartu corresponds with Armenia and Milidu-Melitine, and when it was mentioned with the latter,
was an indivisible part of Satrapic Armenia, and Herodotus’ account proves this. Therefore, it can be said that Milidu is mentioned separately because it later became the center of Pactyica after Darius I’s administrative reforms; it was also one of the centers of the 13th satrapy which remained part of Armenia, despite the new administrative changes. Its ruler, the
satrap, continued having the title of “Governor of the People of Urashtu and Milidu (in a broad sense, Pactyica)”. Therefore, one can state that Melitine and its outlying regions, being to the west of the Euphrates where the territory of Armenia Minor would be established in the future, were an indivisible part of the country known as Armina-Armenia, during the entire period of Achaemenid reign.

 

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Iranian Elements in Buddhist Astrology

Our last post for the year 2017, an article by Jeffrey Kotyk, is appropriately on Iranian elements in Buddhist astrology. We wish all our readers a happy new year:

Kotyk, Jeffrey. 2017. Iranian elements in Late-Tang Buddhist astrology. Asia Major 30(1), 25-58.

Overview of the history of Chinese Buddhist astrology with a special focus on Iranian elements in the Qiyao rangzai jue 七曜攘災決.

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Dēnkard and the Socio-Religious Identity in the Early-Islamic Iran

Terribili, Gianfilippo. 2017. Dēnkard III Language Variation and the Defence of Socio-Religious Identity in the Context of Early-Islamic Iran. Open Linguistics 3(1).

 

The aim of the present paper is to illustrate as a case study, the linguistic and stylistic peculiarities characterizing the third book of the Dēnkard, one of the most authoritative texts in Zoroastrian Pahlavi literature (9th-10th CE). The analysis will consider these features as part of a coherent system, styled to serve the dialectic strategies pursued by the Zoroastrian high priests in response to the pressures their own community was facing in the early Islamic period. In order to provide a more comprehensive overview on DkIII language distinctiveness, the research will underline the outward/inward dynamics, addressing both the relation of this theological dialectic with the surrounding socio-cultural environment and the leadingrole claims of a group within a politically subordinated community.

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The Portrait of a Hellenistic Ruler in the National Museum of Iran

Lindström, Gunvor. 2017. The Portrait of a Hellenistic Ruler in the National Museum of Iran. In  Daehner, Jens M., Kenneth Lapatin, and Ambra Spinelli (eds.), 198-204, Artistry in Bronze: The Greeks and Their Legacy (XIXth International Congress on Ancient Bronzes). Los Angeles: J. Paul Getty Museum; Getty Conservation Institute.

The portrait of a Hellenistic ruler in the National Museum of Iran (inv. 2477) is the most prominent archaeological testimony of the Hellenistic presence in Iran. It shows the spread of Hellenistic largescale sculpture in the regions east of the Tigris River, of which there is otherwise very little evidence. Furthermore, it is one of the few preserved original Hellenistic large-scale bronzes. Nevertheless, this extraordinary piece of art is rarely illustrated in handbooks on Hellenistic sculpture or ruler portraits, and only a few specialists are familiar with this bronze. The head represents a ruler, likely a king of the Seleucid dynasty, which ruled Iran in the third and second centuries BC. But due to the portrait’s intense deformation, the ruler represented could not be identified until now. In August 2015 a project was started with the aim of reconstructing the original facial features. Although this aim has not been achieved, the investigations at the National Museum of Iran have already yielded extraordinary results.