Author: Yazdan Safaee

Proietti, Giorgia. 2021. Prima di Erodoto: Aspetti della memoria delle Guerre persiane (Hermes 120). Stuttgart: Franz Steiner Verlag.

This book concerns the memory of the Persian Wars in Athens, in relation to the Panhellenic scenario, from the immediate post Marathon to the so-called ‘First Peloponnesian War’ (461–446). It analyzes all the pre-historiographic forms of memory (poetry, inscriptions, monuments, topography, theater, rites, cults, festivals, public discourse) through which the Persian Wars were remembered and represented before Herodotus told them in historiographic form.

Filling a gap in current research, the book starts from the awareness that the Persian Wars as told in the Stories of Herodotus do not exactly correspond to factual history, but are instead the result of a multiform and stratified process of memorialization, which decade after decade has reshaped events in the light of present needs. Combining a philological approach to literary, epigraphic and archaeological documentation with a theoretical and methodological landscape influenced by cultural anthropology and memory studies, it reconstructs the images and meanings associated with each layer of this process, thus offering a sort of stratigraphy of the memory of the Persian Wars before Herodotus.

Grigor, Talinn. 2021. The Persian revival: The imperialism of the copy in Iranian and Parsi architecture. University Park, PA : Penn State University Press.

One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran.

The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste.

An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.